Soundtrack Surround 5.1 Mixing
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PERFECT AUDIO SOLUTIONS and ONLINE SERVICES for FILMS, DOCUMENTARIES and SHORTFILMS. I OWN Best-of-its-kind recording and audio Post Production studio for Dialogue editing, ADR/Dubbing, Foley, Sound Design, Audio Restoration and Surround 5.1 & 7.1 Mixdown for motion pictures of ANY KIND and BUDGET.
Brittany Ellis- Supervising Sound Editor & Re-recording Mixer Brittany Ellis is a New Jersey-born Sound Supervisor who has a full-time residence as a Re-recording mixer with Warner Bros. in Burbank, CA. She is currently mixing on Star Trek Picard & Discovery (Paramount +) (Savannah College of Art & Design Alum, Sound Design BFA)
Re-recorded and Sound Designed close to a thousand hours of various productions ranging from mono and beyond surround sound, long & short format for film/television, promo/commercial, “reality show” productions, and was credited for my work on the Oscar nominated “Nibbles”. Extensive abilities in onsite orchestra and multimedia recording & mixing.
Music Mixing for Film, Television, & Games. — Supervising Music Editor: The Hobbit Trilogy & The Lord of the Rings: ROTK, Paddington 2, Downton Abbey Movie — Scoring Mixer: Soul of the Ultimate Nation, 2009 Lost Memories, Aviator OST, Moom, Puppet Killer, Age of Sail — Music Mixing: Emily Jane White, Michael Franti & Spearhead, Howard Shore
I am a music mixing engineer based in Brisbane, Australia, working in film & television score mixing with over 16 years of experience. Mixing for delivery in stereo, 5.1, 7.1 Working attended and remote sessions in local mixing facilities equipt with calibrated playback to ensure mixes translate with all the dynamics and emotion the score intended
I know sound can emotionally impact and influence the subconscious more than any other sense, that's why I followed a career in sound and acoustics engineering and a masters degree in music tech & sound design, in order to accomplish my sonic dreams and help others accomplish theirs. I narrate stories with sound.
6 time Emmy Nominated Music Editor, Mixer. Credits on more than 50 feature films and hundreds of TV episodes. I have edited, mixed, produced thousands of songs and score cues for soundtracks. I am particularly adept at creating songs, score cues or complete soundtracks from tracks and musical elements.
Immersive 3D Sound and Music for the metaverse, specialising in projects that range from music, film and games to experiential (virtual & location-based) and 3D mediums (XR, VR, AR). Track record of over 100+ immersive productions.
We will edit and fix your audio files to its best possible version. We will use advanced techniques and softwares to ensure the final product is a crisp and clean as possible. Whether you are recording a scene for your Film, Documentary, we will be there to guarantee that the sound and emotion of the live action is captured in the highest quality.
I'm a Mixing Engineer and record producer. I offer Dolby Atmos and stereo sound mixing services for score composers, film and multimedia production companies, record labels, producer and artists.
I am a qualified Film Composer & Sound Designer with over 10 years experience. I have worked on a huge variety of projects from action films to deep storytelling slowburn films. I'm extremely passionate & hardworking and will do whatever it takes to elevate your project to ensure it stands out and gives your audience a unique experience.
We are eminent sound engineers, having numerous nominations and awards behind our belts, We pride ourselves on our sharp ears and unique approaches when it comes to re-recording mixing. Being musicians, we have learnt how to blend our music creativity skills into our audio post production workflow known to deliver rich and powerful mixes.
I have sound mixing credits that include 3 Academy Awards, 2 BAFTA's and 1 Emmy Award. Extensive credits in film, television, documentaries and commercials. Recent credits include " Mad Max; Fury Road" "It " "The Defiant Ones" The Beatles "Eight Days a Week the Touring Years" "Air Jordan XXXI" "Father John Misty" and many others.
Elevate your film with an ultramodern score featuring cinematic textures, cutting edge techniques and story driven melody. As a classically trained cellist, electronic musician, and engineer, my music is a perfect match for your sci-fi, fantasy, and art films.
i am special in original music production,mixing in 5,1 and mastering.My strong skills is digital orchestration and surround mixing.I am composer of multi-award film Return of the Don and Gatwick Gangsters . Currently i am run small audio post production studio for visual image.
Explorations into Drift sounds using a mass array of synths, driven by MPE overlays, with access to a vast library of reimagined samples, loops, recordings and a lifetime of music memories...I've pioneered Immersive Audio composition, capture, design/arrangement and output
Aux Punch Music is a Taipei based company that offers sound design and film score service, as well as music production for local and international artists. This sound post studio is found in 2015, we believe that sound is an irreplaceable element of enhancing visual experience. Our goal is to make creative sounds that suit well to your film.
I am a professional audio engineer/editor working in post production audio in Vancouver for 20+ years. I have since moved up to Gibsons, (just north of Vancouver) and have started a small post studio called Gibsons & Watt Inc. where I offer affordable sound design services in 5.1 surround for indie films, shorts, documentaries and more.
Immersive Audio and Film Sound Design • Dolby Atmos • Dolby Atmos Music • Surround Formats up to 22.2 • Mixing for cinema, home and entertainment • high-end binaural processing by New Audio Technology Awards • Sonic Arts Award 2015 • Master of Music 2015 • Audience Award 2009 • First Step Award 2008
Sound Designer with 10 years of experience in production and post-production sound for film and television. Specializing in dialogue, ADR, Foley and SFX recording editing, mixing and mastering for both film and television standards. Skilled in using FMOD and Wwise & other various tools for audio implementation in video games.
Professional sound designer with years of experience, worked with brands such as Adidas, Netflix, Teespring and Storytel as well as having worked on films premiered at Berlinale, Palm Springs, Max Ophuls and Amazon Prime
Hi. I'm Tun Farul Azri, Head Engineer at The Flux Studios. I've worked with countless artists since 1999, covering a wide range of genres. Experienced in music production and audio post-production, recording (studio & live), mixing and mastering. My core focus is on helping and developing independent artistes with an edgy, out-of-the-box sound.
If you are looking for some unique, immersive sounds for your video, film or game you are in the right place. I have worked for multiple artists and companies designing sounds and creating soundtracks that identify their art or product.
The company invested all its founders’ and members’ previous broadcasting experience in providing audio production proffesional support and equipment, maintenance and engeneering / various broadcasting projects such as TV shows, contests, series, commercial campaigns etc.
Sound designer and foley artist focused on using audio as a storytelling mechanism. Such as creating the sound of Bilgewater and Frejlörd for an immersive experience for Riot's League of Legends theme booth on CCXP 2019 in São Paulo.