Andreas Vorwerk

3D Audio & Film Sound Design

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1 Review (1 Verified)
Andreas Vorwerk on SoundBetter

Immersive Audio and Film Sound Design • Dolby Atmos • Dolby Atmos Music • Surround Formats up to 22.2 • Mixing for cinema, home and entertainment • high-end binaural processing by New Audio Technology Awards • Sonic Arts Award 2015 • Master of Music 2015 • Audience Award 2009 • First Step Award 2008

Degree in "electro-acoustic composition"
- Master of Music, at the Liszt School of Music in Weimar.

I work in sound for film since 2006 with companies like Black Bear Pictures, BBC, Farm Group/Hartswood Films, Waterland, Entertainment Motion Pictures and Bavaria Film.

And as a sound artist, I evolve sound installations, acousmatic-composition,
multichannel-sound design concepts for films, theameparks and exhibitions.

Would love to hear from you. Click the contact button above to get in touch.

1 Reviews

Endorse Andreas Vorwerk
  1. Review by Nan L.
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    by Nan L.
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    Andreas is a super professional and talented sound designer! He created the sound that I never heard before! Highly recommended!

Interview with Andreas Vorwerk

  1. Q: What was your career path? How long have you been doing this?

  2. A: I working in sound for film since 2006 with companies like Black Bear, BBC, Farm Group/Hartswood Films, Waterland, Entertainment Motion Pictures and Bavaria Film.

  3. Q: What advice do you have for a customer looking to hire a provider like you?

  4. A: being respectful and don't underrate sound for film.

  5. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  6. A: big solar panels my field recorder laptop headphones and my pacarana

  7. Q: Can you share one music production tip?

  8. A: music need to breath

  9. Q: What type of music do you usually work on?

  10. A: acousmatic music

  11. Q: What's your typical work process?

  12. A: Create a sound concept with the director for his film and have a close communication with all departments to finish the project in time.

  13. Q: Tell us about your studio setup.

  14. A: • Pro Tools Ultimate 2019.10 • Edit Suite LCR - Genelec 8341 AP | Rear Genelec 8331 AP | Subwoofer 7360 APM • Genelec Loudspeaker Manager (GLM) for room calibrating • Acoustic Treatment by Vicoustic and Primacoustic • Kyma - Symbolic Sound: Sound Design Environment • Dolby Atmos Production Suite • New Audio Technology | Spatial Audio Designer: 3D Audio Mixes up to 22.2 (inkl. Dolby Atmos Home, Auro 3D and 2D Mixes 2.0, 5.1, 7.1, MPEQ-H) • PlugIns: The Cargo Cult, Zynaptic, Exponentional Audio, PlugIn Alliance, iZotope Post Suite, Audio Ease... • SFX and Fieldrecording Setup: Sound Devices Mix Pre 10T, Sound Device 744t, div. Microphones (Sennheiser Ambeo, DPA 4060, Neumann km184, Dolphin Ear Hydrophone, div JrF, cold gold microphones)

  15. Q: What other musicians or music production professionals inspire you?

  16. A: Aphex Twin Chris Clark Amon Tobin Bords of Canada

  17. Q: Describe the most common type of work you do for your clients.

  18. A: Sound Design (5.1 Surround or Dolby Atmos) Dialogue Editing Post Mixing (Re-Recording) Restauration

  19. Q: What's your strongest skill?

  20. A: 3D Audio Sound Design in 5.1 format up to 22.2 Dialogue Editing

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Processing Example_Orig. vs. Design

I was the Sound Designer in this production

Terms Of Service

Sound Design Sound Editing Dialogue Editing Re-Recording Audio Restoration Dolby Atmos Dolby Atmos Music Soundscape Composition

Gear Highlights
  • Pro Tools Ultimate
  • 5.1 Edit Suite + GLM
  • Acoustic Treatment by Vicoustic and Primacoustic
  • Dolby Atmos Production Suite
  • Kyma - Symbolic Sound
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SoundBetter Deal

-20% discount for the first 5 clients