Andreas Vorwerk

Sound Designer for Film and TV

Andreas Vorwerk on SoundBetter

3D Audio - Immersive Sound • Channel-Based Audio • Object-Based Audio • Ambisonics and Binaural Awards • Sonic Arts Award 2015 • Master of Music 2015 • Audience Award 2009 • First Step Award 2008

Degree in "electro-acoustic composition"
- Master of Music, at the Liszt School of Music in Weimar.

I work in sound for film since 2006 with companies like Black Bear Pictures, BBC, Farm Group/Hartswood Films, Waterland, Entertainment Motion Pictures and Bavaria Film.

And as a sound artist, I evolve sound installations, compositions,
sound design concepts for films and museums.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

Interview with Andreas Vorwerk

  1. Q: What's your strongest skill?

  2. A: 3D Audio Sound Design in 5.1 format up to 22.2 Dialogue Editing

  3. Q: What advice do you have for a customer looking to hire a provider like you?

  4. A: being respectful and don't underrate sound for film.

  5. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  6. A: big solar panels my field recorder laptop headphones and my pacarana

  7. Q: What was your career path? How long have you been doing this?

  8. A: I working in sound for film since 2006 with companies like Black Bear, BBC, Farm Group/Hartswood Films, Waterland, Entertainment Motion Pictures and Bavaria Film.

  9. Q: Can you share one music production tip?

  10. A: music need to breath

  11. Q: What type of music do you usually work on?

  12. A: acousmatic music

  13. Q: What's your typical work process?

  14. A: Create a sound concept with the director for his film and have a close communication with all departments to finish the project in time.

  15. Q: Tell us about your studio setup.

  16. A: • Pro Tools Ultimate 2019.10 • Edit Suite LCR - Genelec 8341 AP | Rear Genelec 8331 AP | Subwoofer 7360 APM • Genelec Loudspeaker Manager (GLM) for room calibrating • Acoustic Treatment by Vicoustic and Primacoustic • Kyma - Symbolic Sound: Sound Design Environment • Dolby Atmos Production Suite • New Audio Technology | Spatial Audio Designer: 3D Audio Mixes up to 22.2 (inkl. Dolby Atmos Home, Auro 3D and 2D Mixes 2.0, 5.1, 7.1, MPEQ-H) • PlugIns: The Cargo Cult, Zynaptic, Exponentional Audio, PlugIn Alliance, iZotope Post Suite, Audio Ease... • SFX and Fieldrecording Setup: Sound Devices Mix Pre 10T, Sound Device 744t, div. Microphones (Sennheiser Ambeo, DPA 4060, Neumann km184, Dolphin Ear Hydrophone, div JrF, cold gold microphones)

  17. Q: What other musicians or music production professionals inspire you?

  18. A: Aphex Twin Chris Clark Amon Tobin Bords of Canada

  19. Q: Describe the most common type of work you do for your clients.

  20. A: Sound Design (5.1 Surround or Dolby Atmos) Dialogue Editing Post Mixing (Re-Recording) Restauration

loading
play_arrowpause
skip_previous
skip_next
Processing Example_Orig. vs. Design

I was the Sound Designer in this production

Terms Of Service

Sound Designers Sound Editing Dialogue Editing Post Editor Post Mixer Restoration Surround 5.1 Mixing Engineers 3D Audio Soundscape Komposition

Gear Highlights
  • Pro Tools Ultimate
  • 5.1 Edit Suite + GLM
  • Acoustic Treatment by Vicoustic and Primacoustic
  • Dolby Atmos Production Suite
  • Kyma - Symbolic Sound
More Photos
SoundBetter Deal

-20% discount for the first 5 clients