Mark Willsher

Film Music Mixing

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29 Reviews (23 Verified)
Mark Willsher on SoundBetter

Grammy®-winning Mixer | Ultraman Rising (Netflix Feature Animation) | The Lord of the Rings: The War of the Rohirrim (New Line Cinema) | Soul of the Ultimate Nation (Webzen) | Royal Kingdom (Dream Games) | Film, Television & Games | Dolby Atmos | Sony 360 Reality Audio | 7.1.4, 7.1 & 5.1 | Stereo | Calibrated Studio | Hybrid Analogue/Digital

With extensive experience across all facets of film music production, I deliver mixes that translate beautifully in any environment (cinema, television, mobile devices, headphones, etc...), and meet the precise needs of re-recording mixers on the dub stage. My goal is to represent you and your music in the best possible light.

My studio is fully calibrated and configured for simultaneous multiformat work. Whether you’re listening to the Dolby Atmos master or the stereo master, every nuance and detail we shape together is faithfully preserved.

Standard deliverables include
• Dolby Atmos ADM & stereo masters for soundtrack album - to UMG & Dolby specifications
• 7.1.2 stems for film mix (+ object tracks if required)
• stereo stems for marketing / live performance / licensing
• Apple Digital Masters approved provider
• fast remote turnaround with collaborative review workflow

• for typical film scores I mix an average of ten minutes of music per day
• pricing is based on total runtime and complexity, not the number of cues

When making an enquiry, please include
• demo or rough mix
• pdf conductor score
• approximate number of tracks/elements and/or how widely striped
• deadlines (film mix, soundtrack delivery, etc.)

Three revision rounds are included in the quoted price. Additional revisions are available if needed.

Send me a note through the contact button above.

Endorse Mark Willsher29 Reviews - 8 Repeat Clients

  1. Review by Phil K.
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    Mark Willsher is an absolute pro. Great ears and complete command of the skills and technology to deliver. Superb job.

  2. Review by Phil K.
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    Mark made the whole process absolutely painless and did a stellar job on the string quartet piece I gave him to mix. Three thumbs up!

  3. Review by Deltiimo
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    Mark produced amazing mixes of the audio to my project, for both Cinema and Streaming. Incredible clarity with every sound and dialogue crystal clear.

  4. Review by Sidhant K.
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    It was wonderful working with Mark! He patiently elaborated the process for me and worked on the surround sound with absolute precision. He is also very open to feedback and changes. Recommend him for sure!

  5. Review by Deltiimo
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    Elite, "World Class" mixing and Foley by Mark, a true professional at the top of his game. Incredible attention to detail in mixing my narration and soundtrack for my animation. 11 out of 10!

  6. Review by Deltiimo
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    Mark is a true professional and his experience in sound mixing is priceless. I am so pleased I have used Mark to mix my project and I will be using him again. He is 10 out of 10.

  7. Review by Ziyad H.
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    I am very impressed with the level of professionalism and quality of work that Mark delivered. He was able to accommodate our needs and understand our expectations despite project complexity. Indeed, he contributed a lot to the success of our project and i hope we can make it together again.

  8. Review by User 1.
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    Mark is one of the most professional, courteous, and experienced engineers I have worked with to date, especially for someone new to working in the Dolby Atmos format. His résumé speaks for itself, you won't regret hiring him.

  9. Review by User 1.
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    Extremely kind, patient, and helpful, in addition to his technical and musical abilities, extensive experience and achievements in Atmos/Surround creation and mixing. Went way above and beyond for someone new to the format, can't say enough positive things. I doubt anyone who hired him would be disappointed, the job will be done correctly and most likely exceed your expectations.

  10. Review by J. Adam Wesley
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    Mark really shaped and controlled the sound of this project to be as impactful, clean, and effective. With a project that will be used exclusively for live sound he made so many accommodations and thought through how to make the project the most effective it cold be.

  11. Review by Tony Y.
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    Working with Mark has been just great. Great communication and, something I felt was very important for this project, great imagination. - I'm not overly technical with my instructions, but Mark was able to quickly turn my ideas into reality. And the final mix is simply Top Quality. Highly Recommended! And thanks!

  12. Review by Jean-Miles C.
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    Mark gave great advice when preparing tracks for mixing, shown a lot of patience and has provided a great result. I would recommend him to anyone wanting the best mixing available.

  13. Review by Gareth H.
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    Working with Mark was a great experience and pleasure. Not only did Mark bring my composition alive through his excellent mixing and mastering technique and ability, but he was professional and input his valuable experience in a way which I can practically apply.

    I will definitely continue to look to Mark for my future requirements.

  14. Review by Surin Song
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    He fully understood what I would like to pursue to achieve my vision in music, and every response as well as delivery was incredibly fast and clean. Absolutely satisfied to work with him.

  15. Review by J. Adam Wesley
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    Mark is really great to work with. Very intuitive and so accepting of feedback. He delivers such a great product every time.

  16. Review by Alan M.
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    Amazing mixing engineer! Will work with him again :)

  17. Review by J. Adam Wesley
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    Mark is the best. 1) He is fast. 2) That speed does not waist his efficiency. His intuition is spot on. 3) He is a really nice guy. 4) Those credits mean something and you feel the wisdom gained through his experience in your tracks. I don't know about you but I want that in my music.

  18. Review by Surin Song
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    Mark is an absolutely gifted engineer who has golden ears. He exactly not only knew how to make orchestral sounds solid and come alive, but carefully paid attention to all of my detailed requests. He's undoubtedly professional and I strongly recommend working with him.

  19. Review by Paulina Mil
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    Mark is really great! Recommend to working with him.

  20. Review by ÄLLIE
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    by ÄLLIE
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    Mark got ears made of Gold. Efficient, very sensitive about details, wonderful tastes for how music suppose to be placed. I can sense how he's been enjoying in his profession and how he treats music like it's his own. I'll be thrilled to recommend him if anyone is looking for a professional work with beautiful delicate music tastes! That'll be Mark

Interview with Mark Willsher

  1. Q: What's your typical work process?

  2. A: My templates are intentionally minimal, designed for clean routing and flexible deliverables. I begin by looping the client's reference mix while organising the session and identifying the processing and spatial approach that will serve the music best. As I listen, I group elements and choose reverbs, dynamics and EQs that fit the emotional direction and structure of the music. Once I have a clear sense of the music’s character and what it needs to communicate, I dive into the mix, adapting my workflow to the style and complexity of the piece. After an initial series of passes - once I feel the music is sitting in a good place - I’ll often save a new session, remove volume automation, and rebalance the track. With processing decisions fairly settled, I can focus purely on the overall shape, clarity and emotional impact.

  3. Q: What's your 'promise' to your clients?

  4. A: I will care for your music as if it were my own, but will always deliver your vision.

  5. Q: What type of music do you usually work on?

  6. A: Scores and Soundtracks for film and television & Classical Records

  7. Q: What's your strongest skill?

  8. A: I would say the ability to step back from all the minutiae and see the bigger picture. Does the track make me want to listen - does it encourage me to lean in or to step away - is it conveying the artist's intention - is it supporting the narrative?

  9. Q: What questions do you ask prospective clients?

  10. A: Can I get any demos you have, as well as conductor scores (if they exist)? and picture (when mixing for film)? I will also have questions about the story, and how you approached writing the music.

  11. Q: What advice do you have for a customer looking to hire a provider like you?

  12. A: I have found that the ideal way to communicate about music and sound with someone you haven't worked with before, is through examples; which will help lay the foundation for a common language. Without examples the same verbal descriptions can mean different things to different people.

  13. Q: What was your career path? How long have you been doing this?

  14. A: I played trumpet and piano through college (BMus), which is when I got involved in recording. After college I did a year and half stint at the Banff Centre for the Arts as an Audio Associate working primarily on chamber music and jazz projects, as well as live concerts. Early in my career I had no interest in film music and just wanted to make records. Unexpectedly I ended up working on three film projects back to back in 2002 that took me as a scoring mixer to Moscow and Seoul, and as a music editor to Abbey Road (London) and New Zealand. After that I was hooked and realized that I loved working on films as much as - if not more than - records.

  15. Q: Can you share one music production tip?

  16. A: If something is bothering you fix it at the time - don't assume you can fix it later.

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Sacrifice (Ultraman Rising Soundtrack) - Scot Stafford

I was the Scoring Engineer & Orchestra Mixer in this production


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    Sacrifice (Ultraman Rising Soundtrack) - Scot Stafford
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Terms Of Service

Three revision rounds are included in the quoted price. Additional revisions are available if needed.
Unless otherwise discussed quoted price assumes all materials are fully edited and ready to mix.

GenresSounds Like
  • Howard Shore
  • Scot Stafford
  • Stephen Gallagher
Gear Highlights
  • Pro Tools Ultimate
  • Neumann Monitoring
  • Avid S3
  • 104 Channels McDSP Analogue Processing
  • Massenburg DesignWorks
  • Flux
  • Eventide
  • Fabfilter
  • East West
  • The Cargo Cult
  • Empirical Labs
  • UAD
  • MeldaProduction
  • LiquidSonics
More Photos
More SamplesMixing Engineer on all tracks
SoundBetter Deal

50% discount on first track for new customers, 20% discount on projects with greater than 60 minutes of music.

  • The Lord of the Rings: The War of the Rohirrim nominated for the Public Choice Award at the World Soundtrack AwardsSep 14, 2025

    Congratulations to Stephen Gallagher who has been nominated for the World Soundtrack Public Choice Award for 'The Lord of the Rings: The War of the Rohirrim'.The awards will take place 14-16th October 2025.


    Score Produced & Mixed by: Mark Willsher

  • Cypress Quartet's Brahms SextetsJan 18, 2017



    The
    latest release from the Cypress Quartet of the great Brahms Sextets
    (Opus 18 and 36), featuring guest artists Barry Shiffman & Zuill
    Bailey, has debuted at Number 6 on the Billboard Traditional Classical
    charts!

    Produced by Cecily Ward and Mark Willsher - Engineered by
    Leslie Ann Jones and Mark Willsher.




  • Moom wins Best Animated Film at the Canada International Film FestivalMar 09, 2016

    Tonko House LLC's animated short "Moom" takes it's 1st award at the Canada International Film Festival. 

  • Moom to premiere at Cinequest San Jose March 5thMar 02, 2016

    Watch the trailer on Variety.
    A fantastic animated short from Tonko House LLC, with a beautiful and moving score composed by Zach Johnston and Matteo Roberts.  Thanks to Stephen Jarvis for providing his Schoeps MK2H/KA40 "Decca" tree set-up, and a set of GML 8300 mic pres.