PERFECT AUDIO SOLUTIONS and ONLINE SERVICES for SHORTFILMS, DOCUMENTARIES and MOVIES. I OWN Best-of-its-kind recording and audio Post Production studio for Dialogue editing, ADR/Dubbing, Foley, Sound Design, Audio Restoration and Surround 5.1 & 7.1 Mixdown for motion pictures of ANY KIND and BUDGET.
• Are you looking for a consolidated Sound Engineer with HIS OWN Recording & Post Production studio for ADR, voice over, dialogue editing, audio restoration, dialogue denoising and 5.1 & 7.1 MIXING?
• Need EBU R128 & ATSC A/85 LOUDNESS COMPLIANCE?
• What's about customized Foley "a la carte" and original Sound Design for your film?
• Maybe need to hire professional and reliable multitrack Sound Location Recordist Team in Spain?
I'll provide everything you (and your film) may need in a snap, because I OWN "ALL-IN-ONE" Sound Services and Post Production for:
» Short Films.
» TV & Radio commercials.
THERE ARE NO PROJECTS TOO LARGE OR TOO SMALL FOR ME TO HANDLE !!
I.O.R.T.V. (TVE) grad. and AVID Pro Tools cert. operator, having the knowledge, experience and complete technical infrastructure (my own professional studio with Pro Tools HDx5) to perform all the specialized functions and tasks that your film requires, from start to end, for any type of filming or shooting, whether 2.0, 2.1, 4.0, 5.1 & 7.1 (Dolby E, Digital / Pro Logic II / DTS / SDDS).
My Post Production studio combines the best and the warmth of the analog World with high-end digital equipment and latest technology for "sample accurate" DOLBY/DTS/SDDS SURROUND 5.1 & 7.1 MIXES.
PLEASE, ASK FOR A COMPLETE LIST OF GEAR, OUTBOARD AND PLUGINS !!
Tell me about your project and how I can help, through the 'Contact' button above.
2 ReviewsEndorse Miguel Ángel Caballero
I am Suresh Leon Rey, Director of Kannada (Indian Regional language) Feature Film. He has done sound design & mixing for my Movie's Trailer. He has done a fabulous job and given a wonderful output. I am happy to work with a very passionate sound designer & mixer like Miguel. He loves 'sound' like anything and very professional. He is very good at heart and helping/encouraging an indie director like me. I am happy to say that he will be working for our movie "C++".
-Suresh Leon Rey (Director)
A great body of work by Miguel! We at the EuroMedia Productions are looking forward to hire Miguel and his post-audio services on our ucoming film documentaries ''The Mind of A Genius-S.Dali'', and the ''History of Flamenco''.
Regards, Jan J. Seyda. Film Director/Producer. EuroMediaProductions. London,UK.(afiliated studios in Toronto,New York City,Los Angeles)
Interview with Miguel Ángel Caballero
Q: Tell us about your studio setup.
A: MIXER DESK & PRE-AMPS: D8B Digital Mixer. 52 input channel, 72 channel for mixdown, Total recall, Motorised faders, 8 Busses (for 7.1 Surround), 12 auxiliaries and AD/DA APOGEE converters. DIGITAL GEAR: HP Z400 Workstation. AVID certified / 32 GB RAM / NVIDIA Quadro 4000 x2 Gigas RAM, SSD disks. PRO TOOLS 10 HDx5 (x1 Core, x2 Accel y x2 Process). MAGMA PE6R4-i Chassis Expansion. RAIDS E-SATA with 4TB (HD + HD Mirror realtime backup). TC ELECTRONIC System 6000 TC ELECTRONIC Powercore x8 UNIVERSAL AUDIO UAD-2 Octo UNIVERSAL AUDIO UAD-2 Duo AVID SYNC I/O WordClock generator/reader MMC, MIDI, SONY 9p y SMPTE (all rates / multiformat). AARDSYNC Wordclock distributor x256. APOGEE AD8000 Converters AD/DA. FOCUSRITE Platinum x8 Preamps + ADAT card 24 bits. TL AUDIO IVORY-2 5001 Tube Pre-Amps (x4 chanels) powered with TUNG-SOL and TELEFUNKEN ECC83. DRAWMER Dynamic Processors M-500, DS-201 y DL-231. YAMAHA SPX 900 YAMAHA SPX 990 ROLAND D.E.P-5. LEXICON PCM 70. TC ELECTRONIC 2000. DYNAMIC PROCESSORS: DRAWMER DS-201 Noise Gates (x10 channels). DRAWMER M-500 Dynamic Processors (x4 channels). DRAWMER DL-231 Compressors-Limiters (x4 channels) . SPEAKER SYSTEMS: KCS (Kelonik Cinema Sound) Speaker system 5.1 / 7.1. GENELEC 1031A. TANNOY System 1000. YAMAHA NS10-M Studio + S.A.E. Time-Align Rings. AVID/M-AUDIO BX-5. POWER AMPLIFIERS: CYBERLOGIC NC-812 (x8 channels) 1.200 watts. MICROPHONES: AKG 414 EB condenser (80's). NEUMANN TLM 49 condenser cardioid. AUDIO-TECHNICA AT803 condenser Omni (x8) Lapel/Lav. AKG C-417 L condenser Omni (x2) Lapel/Lav. DAP 4017B condenser Hypercardioid (x2). BEYERDYNAMIC TG I52 condenser cardioid (x5). SHURE SM-57 dinamic cardioid (x4). SHURE SM-58 - 50th Aniversary Edition - dinamic cardioid (x4 Uds). I CAN SUPPLY ANY GEAR BY REQUEST.
Q: Describe the most common type of work you do for your clients.
A: I'll provide everything you (and your film) can need in a snap, because I own "ALL-IN-ONE" Sound Services and Post Production for: Short Films, Movies, Games, Documentaries and Interviews, TV commercials, Radio spots and, of course, Location Multitrack/Wireless sound recording too with the best gear and quality.
Q: Analog or digital and why?
A: I use both of them, of course !! Analog devices are warm and have rich armonics very pleasant for our ears and digital have a high headroom and very low noise.
Q: What's your 'promise' to your clients?
A: I can promise absolute satisfaction with my work.
Q: What do you like most about your job?
A: I love my job! Sound is my passion along 30 years.