Audio post production, re-recording mixer, sound designer, music/dlg editor, DVD, digital, broadcast, webcast, re-mixing. Scripted, reality, advertisement, digital, network, industrials, film, short format.
Mixing and most all post audio services can be performed remotely. Send specs, review mixes, send notes, touch up projects all via the web. No more studio costs, booking sessions, deposits, parking..
Send me a note through the contact button above.
Interview with Music2Film
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Nirvana and Rob Zombie remixes for Guitar Hero. Rihanna Live 5.1 @ Wembley. Katy Perry Unplugged.
Q: What are you working on at the moment?
A: Indie feature length 5.1 mix
Q: Analog or digital and why?
A: Digital - faster, more accurate, streamline.
Q: What do you like most about your job?
A: It's audio !!
Q: What questions do customers most commonly ask you? What's your answer?
A: How much do you cost ? It will cost whatever you consider the product is worth.
Q: What's the biggest misconception about what you do?
A: Nothing is set in stone. Budgets are what usually kill a deal, but I like to work within the clients parameters.
Q: What questions do you ask prospective clients?
A: Whats the TRT (total run time), when do you need it back, how would you like it back (stereo vs 5.1) and where do you need me to be with the budget.
Q: What advice do you have for a customer looking to hire a provider like you?
A: There are no dumb questions and keeping to a schedule is key.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: If I was on a deserted island - the last thing I'd want is gear - a cocktail and beach chair would be best.
Q: What was your career path? How long have you been doing this?
A: 1995 committed to music and audio post. Moved to LA. USC Graduate Degree Program in Scoring for Motion Pictures and Television 1996.
Q: Can you share one music production tip?
A: Don't get hung up on one idea. Always move forward. Music idea's will always come and go.
Q: What type of music do you usually work on?
A: Television, underscore
Q: What's your strongest skill?
A: Availability, affordability, quality of work and fast turn around
Q: What's your typical work process?
A: Get an OMF, clean up it up, edit/polish dlg, level dlg, level SFX, level MX then mix to spec
Q: Tell us about your studio setup.
A: 5.1 HDX PT. Mackie Refs, SPL surround monitor controller, SFX Library
Q: What other musicians or music production professionals inspire you?
A: I'm inspired by studio and network specs. They're all different, but similar
Q: Describe the most common type of work you do for your clients.
A: Audio post mixing.