Mixing & Mastering Engineers, Producers & Songwriters who worked with Quake Matthews

Songwiter, Producer, Engineer  - Hatty Maines
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One of few self-produced tracks on the NBA 2k21 Next Generation Soundtrack, Head engineer and co founder of Knockhouse Studios DTLA. I've worked and written songs with Latin Grammy Winners Milk + Sizz and Multiplatinum Producer WLPWR. iStandard Power of the Pen Songwriting competition Top 3 World Finalist. Multi instrumentalist.

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Singer,Composer,arrangment - Sheron studio

Singer Experienced & creative arrangment & composer

Music Producer - Fredrick Ibraheems

Bringing out a new sound on both the fusion and experimental genres

Vocalist/Top liner/Background  - Humble
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Humble played Twig in Bring It On the Musical and Rapped on the 2012 Tony Awards. From Melodic Harmonies to Lyrical word play this is your man. He can write from women as well! From rags to riches he knows both sides of the coin and can help in many aspects from many perspectives. From Rapping to Singing he's got all bases covered.

Remote mixing & mastering. - Nataly Martinez
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I've worked with homemade rock, pop and punk bands, getting them to sound professionally with basic tools. Currently, I work more on podcasts and video games.

Independent Music Producer - Psya
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Sane to crazy in 0.5s that's the variety of sounds I can produce when it comes to the projects I'm working on, be it a soulful ballad or an avant-garde soundscape my production capabilities are only limited by nothing, that is only if you can prove its existence. I work reliably and efficiently always keeping you in the loop about what I'm up to.

Remote Mixing and Mastering - Moosey Elias
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Mixing and mastering engineer willing to work with most genres.

Production , Mix , Mastering  - VNMPS
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Doing this 20 + years

Hip Hop/Trap producer. - News_Mane

Well rounded producer with a personal focus on Trap/Hip hop. Can assist with most production needs from writing to mixing. Would love to build collaborative relationships and see what kind of work comes from that.

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