Mixing & Mastering Engineers, Producers & Songwriters who worked with The Charlatans
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With over 26 years’ experience as a mastering engineer, I can deliver the best results from your mixes, adding punch, polish and that professional touch, as well as meeting all your editing requirements, from radio edits through to album compilation & sequencing.
Sound engineers are artists too! My approach is free-form and instinctive, I see the sound engineer as a musician and the mix as a performance. Think of how a pianist plays a piano, or a drummer hits a drum kit; I use knobs, switches and buttons. Over 15 years of experience, I've worked for the BBC & released for top record labels (Sony, Virgin)
Grammy Award Winning Engineer w/ expertise in studio recording, mixing, live multitrack audio capture, and post audio mixing for television. I have worked with hundreds of artists & clients, from Mumford & Sons to Mastodon, to create unique releases showcasing studio craft, intimate live performances and full blown concert productions.
Specialising in live location recording, 'difficult' mixes & studio mixing, Ive worked with hundreds of artists including Mystery Jets, Gaz Coombes, The Charlatans, Ghost Poet & Ghetts through to contemporary Jazz acts such as Theo Croker & Beth Stevens. Utilising a hybrid studio centred around a pristine Neve console & PMC monitoring.
Professional Mixer & High End Mastering Facility - Recent Clients include: Lewis Capaldi, Professor Green, JP Cooper, KRS-One, Fatboy Slim, The Coral, Riton, Elvis Costello, CamelPhat, Noisettes, Tinchy Stryder, James Vincent McMorrow, Digitalism, John Martyn, Yuksek, Bob Dylan, Gil Scott-Heron, Rufus Wainwright, The Charlatans, The Zutons,
Britannia Row is one of the longest established and best known names in the audio recording world; first set up in 1976 by Pink Floyd, the studio has been involved with some of the best known and loved records of the last 30 years .