Mixing & Mastering Engineers, Producers & Songwriters who worked with Junk Love

Remote Mixing & Mastering - Claus Stecher
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I work as hard as I can to find your individual sound style and make your music complete.

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Audio Engineer  - Gerard Albo
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Grammy Award-Winning Audio Engineer Credits: Mariah Carey, Kylie Minogue, Gwen Stefani, Ava Max, Amy Winehouse, Cleo Sol, Kanye West, Noah Cyrus, Alanis Morissette, Corinne Bailey Rae, A-HA, Pendulum, Patti Smith, Tom Jones, Sia, Mazzy Star, Roisin Murphy, Basement Jaxx, Zero7

Backing Vocals Singer - Rosie Abbott
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Pitch perfect backing vocals and harmonies for your song.

Remote mixing and Mastering  - Jay D Saldana

I love to work with rock music because I once was a rock guitar player, but it didn't work. There were so many problems with the band and I decided to start working in something else, so I discover music production. Since then I have worked with many bands in my country and I am willing to move to the next step working with worldwide bands.

Cover song playback - Sans Music

Sans Create adalah sebuah jaringan media digital untuk wadah kreatifitas anak muda di Jawa Timur

String/Orchestral arranger - Guy Vaingarten
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Pianist, composer, orchestrator, arranger and a music producer. As a producer and arranger I've been collaborating with some of the best artists in the Israeli music industry. I wrote music for films, television and musical theater. Have a lot of experience in writing arrangements to different ensembles and orchestras in any genre.

Trap music - Obroken

#trap music, #beatmaker, #drill

Credits:
Music Producer - Daniel Finn
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I am a Berklee trained American Music Producer, Audio Engineer and multi-instrumentalist, and was personally mentored by Berklee's premiere mixing engineer Rich Mendelson. Having over 15 years of experience I am fluent in Pro Tools, Ableton, Melodyne Studio, Izotope Music Production Suite, Slate Digital plugins and much more.

Mastering Engineer - Mark Hammond

Analog and digital mastering studio tucked away in the heart of England.

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