Mixing & Mastering Engineers, Producers & Songwriters who worked with Guitar Republic

 - Beppe Massara

Dig to analog stem mix, 4 stereo couples bus (for ex.: drums, guitars, bass, vocals) from audio interface into analog desk (Soundcraft Ghost), group inserts with stereo bus DBX 160A compression, Lexicon PCM 60 reverberation (if requested on the mix), a stereo signal from the desk goes into a Valve Comp then in a Mixmaster Focusrite then into Isa428

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Singer/Producer/Vocal Arranger - Roméo
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Producer/Singer/Songwriter/Vocal Arranger with a decade of professional experience in the industry. Songwriting, Vocal, and Production work for artists like Joey Bada$$, Rita Ora, Grammy winning Dianne Warren and More. Efficient, thorough and creative. Lets get your songs to their full potential!

Recording Studio - Tom Stott

You know, I haven't been to Paris, but I can record your music.

Music Producer, SongWriting - Aryay
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Between traveling the world as an EDM DJ signed with Skrillex's label Owsla, to completing my recent Publishing deal with Diplo I've learned so much about this industry. I've been fortunate enough to be in sessions with some of the greats. My goal is to make your music standout at the professional level. https://open.spotify.com/playlist/2jQ0FYc

Mix & Master Prod. Dolby Atmos - JoiMusic
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Mix, master, produce, remix in all genres. All Standard Stereo Mix & Master include UNLIMITED Free Revisions. Professional Standard Stereo or Dolby Atmos mixing & mastering service that takes your music sound better or beyond stereo mixing, into the immersive world of Dolby Atmos.

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Writing Service - Papers Lead

Papers Lead is a team of professional writers that help students deal with all kinds of academic assignments.

PRODUCER  - Sose Paez

Top charted on iTunes, Shazam, 1# Artist in Ecuador (Soundcloud)

Credits:
Mixing & mastering - satn
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I help independent artists get clarity, depth and impact without losing the identity of their sound. I work mainly with electronic and alternative music, focusing on clean low-end, controlled dynamics and mixes that translate well across different systems. My approach is always context-based: I don’t rely on presets, but on careful listening.

Recent Successes

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