Mixing & Mastering Engineers, Producers & Songwriters who worked with Figure

My portfolio includes work featured on Netflix, Universal music group, The BBC & Sony ATV. The room I mix from was designed by one of the world's leading acoustic engineers at Northward acoustics.

Millions of plays on Spotify. Credits: Fear Factory, Bullet For My Valentine, Rage, Blue Stahli, Celldweller, DJ Hyper, All Elite Wrestling, NBC Sports, Superhot Team, Saber Interactive, Nimble Giant. Member of the Association of German Sound Engineers (Verband Deutscher Tonmeister e.V.).

With an artistically rich background and over a decade of remote experience, I offer top-tier remote cello recordings from my acoustically treated studio in West London. I’ve recorded solos for acclaimed bands, feature films, documentaries, adverts, primetime TV dramas, and AAA games.

RedHorse Studio is a dedicated recording/mixing/mastering studio. We have a vast experience of cooperation with different artists in a variety of genres from pop-rock to extreme death metal and will help your music sound just the way you want it to.

Paul“P”Thomas aka "The Funky Skunk" is a Funk/R&B Master Producer, Multi-Instrumentalist, Songwriter, Recording Artist and Double Platinum award winning Recording Engineer with over 45 years of professional experience in the entertainment business.

As an aspiring artist, I've always wanted my records to sound amazing. From over a decade of recording, obsessing over the tiniest details throughout the entire recording process, and working with very talented musicians, I have figured out how to make records sound the way I want, and I can make your records sound the way you want too.

We both have a combined 25 years worth of music production experience, both working together & individually on various project/aliases. Most recently as 'Mac & Ward' gaining support and working with industry leading figures such as Alan Fitzpatrick, Shadow Child, Huxley and gaining radio support from the likes of Radio 1, Defected and Kiss FM.

I write great songs and have a knack for that special lyric combined with a perfect melody, that hook. I've been writing for over 20 years, though it was fairly recently that I heard one of my songs on the radio for the first time. I want every artist to feel the way I felt when that happened.

Whether it's reaching the finals on America's Got Talent Season 7 or it's flying to Saudi Arabia to play the world's largest harp -- it don't mean A THING if you don't have that BASS line.

With nine years of experience as a mixing and mastering engineer - and the privilege of being mentored by esteemed industry figures like Jonathan Wyner and Enrique Gonzalez Müller - I am continually refining my skills to provide exceptional audio quality across a spectrum of musical genres.