Mixing & Mastering Engineers, Producers & Songwriters who worked with Eyelids

Remote Mixing, Music Producer - Adam Selzer
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(22)

Mix Engineer, Record Producer, founder of Type Foundry Recording Studio (since 1998). I've worked with M. Ward (recording/mixing/touring for over 20 years), Peter Buck (REM), Blind Pilot, Laura Gibson, Peter Broderick, and hundreds more. I have just built a fantastic sounding dedicated mix room from the ground up. I love analog gear & great songs.

mastering engineer - Jon Neufeld

I am mastering engineer that always puts the artist first. I am an artist myself and after years of wanting to hear my masters come back a different way I decided to get into mastering myself. Since 2017 I have done 100s of mastering jobs for satisfied clients.

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Recording, Mixing, Mastering - Studio Suiseidl

Professional recording and mixing studio located near Rosenheim, Germany.

Professional Mixing/Mastering - Micah Smith
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(99)

Strong, creative, rich mixes & masters for indie rock, electronic, pop, psych, dance, etc. Well-reviewed, very experienced, affordable engineer.

Music Producer/Sound Engineer - SHATT3R
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(7)

Credentials are with Helluva, Chris Brown, Tee Grizzley, Stuicide, Cpo Snipe & more(please view in Bio). I produce multiple varieties of music including, Pop, Trap, Hip Hop, Edm, etc.. Mix & mastering including vocal Currently growing from New Orleans, LA. Feel free to check out my work and contact me for custom work!

Music Producer - EDM & Pop - Samuel Hunter
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(11)

10+ years in producing. I can create any idea of yours into a sonic reality with the versatility of electronic and instrumental production. When we make a song, it comes straight from your VISION!

Recording bassist - Andy L.

I have been playing guitar and bass for 35+ years in multiple genres of underground music.

Producer | Composer - Nour Harkati
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Tell your story.

Music Producer - Sadgangsta
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I will produce and engineer an a record

Singer - Bella Celine

Experimenting singer from Dallas. Heavy on the reverb, dreamy kind of gal.

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