
I'm a composer in the trailer/marketing industry who also doubles as a mixing/mastering engineer for all the industry work I do. Over the years I've worked on jobs for Disney, Sony, Netflix, Warner Bros, and more.
I've worked in trailers and marketing for more than 10 years with extensive experience in quick, on the fly, and high quality compositions, mixes, and masters to meet the fast-paced demand of the industry.
My work spans the range of everything you might find in trailers: epic orchestral, hybrid, hip-hop, EDM, song overlays and remixes, sound design, sonic branding and identity, horror, fantasy, sci-fi, glitch, holiday, hallmark, action, adventure, synthwave, jazz, etc.
I am interested in helping people who are looking to enhance their tracks to elevate them and add that air of clarity, detail, and polish that will make you proud of what you created. After all, you spent all this time writing it, you should have a mix and a master that you are proud to share with friends, family, and fans.
With my work across almost every genre you could think of, there isn't a track I wouldn't be comfortable with. But if you specialize in trailer music that always needs a big sound and fuller sound, I'm your guy.
Services:
Stereo Mastering: $70 per track (includes 2 rounds of revisions)
Mixing: $300 per track (includes 2 rounds of revisions)
Mixing + Mastering: $350 per track (includes 2 rounds of revisions for each)
Discounts for multiple tracks can be negotiated.
If you happen to be interested in hiring me for composition, please reach out and we can discuss.
Send me a note through the contact button above.
Credits
- The New Mutants
- Pete's Dragon
- Assassin's Creed
- Maze Runner: The Death Cure
- Passengers
- Universal
- Deep Space 69
- Alice in Borderland
- Andor
- Netflix NFL Christmas Gameday
- The Queen of Villains
- El lugar de la otra
- Tokyo Swindlers
- Ultraman Rising
- Exploding Kittens
- You
- Twisters
- Welcome to Wrexham
- damsel
- Homicide Los Angeles
- Resurrected Rides
- Palm royale
- Blue Eye Samurai
- Netflix Games
- El Reino
- Cash Out
- Longest Third Date
- Call of Duty: Warzone
- You People
- Sex/Life
- Dragon Age: Absolution
- Inside Job
- Young Royals
- Triviaverse
- Falling for Christmas
- The Sea Beast
- Stranger Things: The Experience
- Disenchantment
- King of Stonks
- The Mystery of Marilyn Monroe
- Cobra Kai
- The Pentaverate
- Netflix is a Joke
- Anatomy of a Scandal
- hunt
- Star Wars: The Rise of Skywalker
- Soul
- Diablo IV
- Western Stars
- 6 Underground
- Ad Astra
- The Clone Wars
- The Angry Birds Movie 2
- Disney's Aladdin
- The Lion King
- The Mule
- MIB: International
- Aquaman
- Dumbo
- Shut Up & Dribble
- The Upside
- First Man
- Bleeding Steel
- Let Him Go
- truth be told
- Mortal Kombat
- PAW Patrol: The Movie
- Spiral
- The Tomorrow War
- Ghost Lab
- In The Heights
- Cruella
- The Last Mercenary
- The Game
- All or Nothing: Toronto Maple Leafs
- Narcos Mexico
- Call of Duty: Mobile
- WandaVision
- Finding Ola
- The Cuphead Show
- Scream
- Godfall
- Ozark (Netflix)

I was the producer, mixing/mastering engineer in this production
- Mastering EngineerAverage price - $70 per song
- Mixing EngineerAverage price - $300 per song
- Film ComposerContact for pricing
- Composer OrchestralContact for pricing
Turnaround times:
Mastering: No more than 3 days, + revisions no more than 1 week.
Mixing: No more than 1 week, + revisions no more than 2 weeks.
- Hans Zimmer
- League of Legends
- Brian Eno
Discounts for multiple tracks can be negotiated.