Mixing & Mastering Engineers, Producers & Songwriters who worked with Creepy Monday

Hi, I'm Connor. I'm the partial owner and house engineer at Casino Time Recording Studio in Minneapolis MN. I've produced music for The Minnesota Vikings, MTV, and NBC. If you need a drummer, guitarist, or bassist, I can take care of that as well.

Intuition and ability for instant response to sounds/melodies/rhythms and on the spot creativity is my approach when taking on new project.

I have 12 years of experience in sound mixing, mainly at live shows. You can support me during these CoVID-19 times as a mixing engineer. Will give you a fair offer, and you can be assured your mix will sound professional.

Put simply, Douglas Roegiers is a highly skilled and extremely versatile entertainer who channels back to the great days of the Big Band Swing era. His loyal fans know him as 'The Crooner' and he lives up to the title in every sense of the word, crooning with a smooth and classy sound while singing standards from the Great American Songbook.

I’m a professional session , recording and stage drummer . I also love to engage with different styles of music and I work in my professional

Music Composing, Arranging and Production.

I offer professional mixing and mastering with a quick turnaround, for all genres and for most formats. I specialise in electronic, experimental and ambient music, but I am open to work on anything from indie pop to free jazz. I have years of experience as a freelancer, and I am committed to tailoring each order to your specific requirements.

With almost a decade of experience in the music industry, I'm a mixing engineer who specializes in mixing, mastering, and creating soundscapes. My passion lies in working closely with artists to delve deep into exactly what type of mix they'd like, on almost all genres ranging from rock to intimate singer-songwriter compositions.

Second in Asia, Mixing Engineer ！ A great mix engineer shouldn’t just provide you with a technical process. The best mix engineer’s are able to see the vision of the artist and bring sonic depth and clarity to a song that wasn’t there before. And most importantly, the final mix should inspire.