Mixing & Mastering Engineers, Producers & Songwriters who worked with António Zambujo

Radio ready sound, with Portuguese prices. Several airplay number ones, millions of views and plays on social media and platinum selling albums. Current winner of the Portuguese semi final of the Eurovision Song Contest.

Mário is a guitar player/composer/producer who has recorded more than 100 albums with artists from around the globe. He played or recorded with artists such as Maria João, Cristina Branco, António Zambujo, Mário Laginha, Martinho da Vila, Mayra Andrade, Ala dos Namorados, Susan Palma-Nidel, Robert Sadin, Louis Sclavis, Mark Turner, Andy Sheppard.

I am almost human.

We are a music production team which mix and create music. We do mostly lesser-known projects for locals, but are open to remote collaborations!

You have worked hard on your craft, You want your vision to come to life. So do I We can provide additive tracks such as beats drums, synths, strings, and horns. Provide that punchy clear mix, and Master to the latest radio ready and streaming stndards.

Mixing and Mastering Engineer R&B/Pop/Trap/Rap specialist. More than 11 years experience. Audio Engineer degree graduated at the T.A.S in 2013. Diploma in electronic music production Universidad Metropolitana.

Mixed and mastered tracks that have over 50 million streams across YouTube & Spotify. 31,000 monthly listeners on Spotify 16,000 Subscribers on YouTube 1000+ songs worked on 8+ years of experience Extremely passionate Eager to hear about your vision and help contribute to it I always give every project 100% and exceed my clients expectations

Award Winning Producer, Phoenix Clay, has produced hit music for countless artists around the World. Totem Audio has an emphasis on electronic music production for female artists, but works with artists of all genres to make their vision a reality. Using the most sophisticated synthesis techniques in the industry, we turn decibels into dreams.

Analogue warmth, digital precision, over 30 years of experience. I sometimes mix on a large console running lot's of outboard and sometimes ITB. It is the level of precision and detail asked for that makes up for the right plan of attack. But most of all it is about the vibe or feel of the track that dictates the right choice.

The right bassline turns a good song into a certified hit, and the right beat turns a 16 bar verse into a performance worthy of legends. All I do is bring the right stuff to your vision.