Mixing & Mastering Engineers who worked with The Lumineers
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Grammy Award Winning Engineer w/ expertise in studio recording, mixing, live multitrack audio capture, and post audio mixing for television. I have worked with hundreds of artists & clients, from Mumford & Sons to Mastodon, to create unique releases showcasing studio craft, intimate live performances and full blown concert productions.
I have received a B.S. Degree in Audio Engineering & Music from Mercy College. I have worked and collaborated with many artists through the years, either recording them or playing as a session musician upon artists tracks. I love working with other creative minds, collaboration is one of the beauties of music.
Chief Engineer at Dubway Studios, NYC. Recently featured on Working Class Audio. Projects include Ed Sheehan, The Lumineers, OneRepublic, Lady Antebellum, The Killers, Rachel Platten. www.chris-audio.com
Hi everyone, I'm a 23 years experienced in music business as a Guitarist, Recording & Mixing, Composer and Music Producer. I've played and produced lots of records (sony, warner, emi), made tours around Europe with many artist some of those quite famous, especially with Ivano Fossati who is one of the most important Italian artist.
I am a Freelance Recording Engineer from Melbourne, Australia, having had experience with a vast amount of equipment, both digital and analog. I mainly work with rock focusing on lo-fi and psychedelic, but am happy with working in other genres too.
Hey people, I run a songwriting production and consulting company called Cool Chords. Over 10 years of experience and have ghostwritten tracks for some major artists and got some big album cuts. I also frequently write for composers submitting for placements and music libraries. I write some of the best chord progressions in the industry.
My name is Jon "August". I'm a Nashville based drummer and would love to help bring whatever project you have, to life. I'm fortunate to have played/recorded with artists ranging from Finding Favour, Zach Williams and Building 429, to Lukr, Eric Paslay and Lee Roy Parnell. I love creating and getting that perfect sound and feel. So let's do work!
"It was a pleasure to work with Maor, we got a good sound as a result of. I can say it was clearly, just in time,responsibly, with a professional approach. Thank you."
"Fuseroom are professional/communicative/friendly. I gained new insights into refining my sound and was impressed with the warm/analog feel and dynamics that were added to my composition. I recommend business with them..."
"A great musician!! %100 recommended!! :D"
"His price was low and his mixing was good. It is easy to tell that Irving knows what he's doing. Thanks!"
"After Eric I won't look for another engineer. His mixes are beautiful and flawless. Not only are his skills exceptional but he is professional, polite, and prompt. Eric is also very willing to offer suggestions and..."
"Masters sound great, very professional work."
"Mike is simply great! He easily understood every small detail we had in our vision for the song, made our sound solid and saved us from the infinite revisions nightmare by just getting it right with every step of the ..."
"Good job.Lukas always present for any question or doubt. It was my first experience and I'm happy to work with him"
"Online Guitar Tracks, i.e. Lars, is a great guy to work with. Fast turnaround, dedicated, involved, very flexible, uncomplicated. Nice, clean, melodic guitar work. Not to mention that his price is a steal. Just booked..."
"I was very fortunate to work with Andrew. We did a mixing shootout with many engineers, and his mix was one of the best among all the other mixes. He has a great sense of intuition and aesthetics, great feeling for so..."
"I worked with François Michaud at Wild Horse Studio and i liked a lot. I needed a woman singer for one song. He attended me fast, arranged the professional and recorded with high quality. I recommend! "
"That’s a real chance to feel the spirit of fantastic rock sound, working with Eric. I told him to mix my song just as he liked and he did it as I’d wished. It was a kind of the next step in my vision of my own music. ..."