Mixing & Mastering Engineers, Producers & Songwriters who worked with Rocstrong

Session Bassist,Producer - Donal Pywell
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Highly experienced studio bassist with a BA degree in Music. Accomplished multi-instrumentalist and producer. I love playing funk and jazz but have been trained to perform all styles.

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 - Alvin Chen

Hi I am a producer that goes under the moniker "nøll". I primarily make trap/future bass/hip hop/ and pop.

Record and Arrange Horns - Eric Johnson Music
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I've been a session musician all over the west coast for almost ten years, recording and arranging horn parts for Soul, Funk, Reggae, Jazz, Hip Hop groups. I've recorded Saxophone, Flute, and Clarinet, created improvised solos, as well as arranged parts for woodwind and brass sections. I've worked specifically with Daptone recording artists.

Keyboards, Synths, Production - Alexei Paredes
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Keyboards, Synths and Production

Hypnosis mixing Punk Rocker - EnTrance

Ex Punk producer with massive Hollistic catalogue.

Productor musical y audio - BlackSilence Prods
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Buenas, soy Black Silence. Cantautor y productor musical. Actualmente trabajo en mis propios sencillos pero me gustaría colaborar en otros proyectos. Nociones en masterización, desarrollo de beats, composición, letras, diseño de portadas,... Abierto a cualquier estilo musical pero mi punto es el género urbano.

Artist, Producer, Musician - SLANKS
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Orfeas Dialinos, known as SLANKS, is a leading Greek composer and producer known for his unique blend of electronic and cinematic/orchestral music, with over 20 million streams. His work has been featured in major projects for companies like Warner Music, Activision, Porsche, and more!

Telling stories through sound  - Arthur Newman
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Music Producer, Old Street Studios, mixing with analogue, training with Luis Bonilla (Black Saloon Studios) and working with artists such as Albert Gold and Adam Anderson, trained at IMW Music Production School, Old Street.

Mixer/Engineer - AwardWinning Mixer/Engineer

Grammy, and RIAA Certified Gold and Platinum Awards. In a world where a lot music is made step by step, I strive to take a step back and judge my mix decisions by the story or emotional pull of a record. I want clients I work with to listen to records, not mixes.

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