Mixing & Mastering Engineers, Producers & Songwriters who worked with Precept

Mixing, Writing, Musicianship - Falling Feather Records
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I like to help artists I enjoy achieve a higher sound quality than they would be able to do on their own. Whether it be mixing down stems, adding instruments, or making the vocal sound just right. I pride myself on being flexible, accomodating, and priced with more value than people offering the same service. Lets discuss what you need!

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Mixing & Mastering aka. Nerd - Birger Niessen Audio
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I'm your next mixing- and/or masteringguy ;) Electronic Music, Folk & Pop - I'm still in love with

Session Guitarist/Producer - Gene Micofsky
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So you've got this incredible idea...But you need someone to snatch that beautiful invention out of the ether and pull it down to reality. From guitar parts to full-scale productions, I am here to take your musical dreams to highest level possible.

Mixed genre producer  - Da da Supanova
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I've been doing music for over 30 years as a producer, songwriter and amateur engineer. My production style is mostly electronic r&b and hip hop. A few classic rock sample remakes. At present I have signed an agreement to distrbute a song with Sickdance Records. I write whole songs and create whole tracks from scratch. I play keyboard.

Remote Mix | Master - Mike Møller
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Mixing and mastering are simply my passion. Like a beautiful, dark art.

Rap sound engineer - Dav
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Hi, my name is Dawid. I've been working in sound engineering for over a year. During this time, I've been working and honing my skills in the Polish market, and now I'm moving to the international market. 🙂 I mainly work on rap tracks, but I'm open to new sounds.

Beats and Mixing Engineer - Sidney Scaccio

I have billions of views on productions, beats, mixing, and mastering.

Cinematic COmposer - Josh Snethlage

Composer for film, TV & games, with Lionsgate-distributed features, Bruce Lee/Kyzen game work, and music for major global brands.

Audio Engineer - Jack Xavier
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I mix and master records with a focus on making them hit hard while still keeping the character and feel of the original recording. I’m big on strong drums, clear vocals, solid low end, and mixes that actually have some movement to them. I don’t just throw a preset on a track and call it done — Jack

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