Mixing & Mastering Engineers, Producers & Songwriters who worked with OBSCUR

Audio Engineer - Berlin - ARCN Lab
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• Beatport top 100 Chart for Hardtechno. • Supported by I Hate Models, Nina Kravitz, SPFDJ, Codex Empire, VSK, Öspiel, D. Carbone • Open to work any genre • Shared stage with: Paula Temple, Stay Up Forever, 999999999, MORD, Perc, Umek, Boston 168

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mixing, mastering, editing - HGS audio

I've worked with many rock/metal band over the last several years and I've learned what it takes to turn a recording session into a solid sounding song. Whether it be 'polished' sounding productions with in-your-face sampled drums or obscure underground productions. I've done my share of both leaving my customers happy.

String Plucker and Co Producer - Epirus Music Lab
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Instrumentation Deluxe - acoustic and electric guitars, and other more obscure string instruments. Earthy Grooves, Mysterious Sounds and Enchanting Countermelodies, for a large part done with acoustic instruments

Songwriter and Producer. - Matteo Scher
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Songwriter and producer with over 2 million steams on songs in the last year and several major label pitches pending. Currently working with up and coming major label NYC artists at all 3 major publishers.

Editing, Mixing, Mastering - Amir Aladin
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I have been active in the Egyptian and UK music scenes since the early 2000s and run a small netlabel / music distribution service for independent musicians called Cyrdaeb.

Metal Mixing and Mastering - Sebastian Has
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Engineered and co-produced Behemoth's "Opvs Contra Natvram" album. My sound: organic, punchy and true. I'm a multi-instrumentalist with a great understanding of music. My goal is to reinforce the musicality of the track through various technical processes. The artist and their music always come first.

Music Producer, Remote Mixing  - NIC M
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I am a musician that has produced and mix all of my own music in the past and now I would like to hire my skills out to clients.

Magic Touch Mastering - Magic Touch Mastering
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Your music sounds good, it's almost there-It just needs that "something." Maybe a bit more width, punch, clarity, BIGness, glue, life, movement, energy, vibe...that last 5-15% that separates a "record" from a really good demo. Or maybe you just need an objective set of fresh ears before you "mix it to death"...either way-I can help!

Session vibraphone player - Roger Beaujolais

I've recorded for & appeared on records by Robert Plant, Morrissey, Paul Weller, Fairground Attraction, Guy Chambers, Graham Coxon, Alison Limerick, Shola Ama, Ed Motta, Tony Allen, D Influence, Alexander O'Neal, Neneh Cherry, Kirsty MacColl, Roni Size, 4 Hero, Corduroy. I have released 21 albums so far. From latin jazz to funk to jazz to ambient.

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