Mixing & Mastering Engineers, Producers & Songwriters who worked with Mongoose Triple Threat

Mix Engineer for Music/Film/TV - Matt Greene
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Dedicated and detail oriented mix engineer for music, film, and tv.

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Music Composer and Producer - Prime Minister Productions
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A formally trained jazz musician who has immersed himself in the world of digital music production, beatmaking, and composition.

Dolby Atmos Engineer - Brian Goddard
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“A great sound system will only get you as far as the engineers’ ability to mix.”

Live Audio Reproduction - Angel Audio Productions

Serving Audio, Visual, and Performance needs with over 30 years experience in churches, concert venues, nightclubs, schools, and theaters. Working to operate, consult, improve, install, repair, and educate users of live performance systems. 314-394-8471

Remote Mixing & Mastering - Joe Drew

Not just a producer, a teammate who will take your track to the next level!

Double bass and electric bass - Daniel de Boer
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Top session bass player.

hip-hop music producer - MishaSparr

​Hi! I'm Misha Sparr, a professional Mixing Engineer based in Tashkent, Uzbekistan, with over 5 years of dedicated experience serving artists globally. ​My Expertise ​I specialize in modern, high-impact 'in-the-box' mixing, focusing on a fast, precise, and highly competitive sound.

Remote mixing - Cody Anderson
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With a masters degree in music composition and over 10 years of experience in music production, mixing, and mastering, I have collaborated in every stage of the process from classical to pop. Making music from a fully equipped home studio, I consistently get results that rival larger artists.

Alt-Folk-Pop Producer-Engineer - Nate Nauseda

Emotional connection, Flowing movement, Expansion & Contraction; all are deep parts of what drives music that moves us. I am Nate Nauseda, a Producer, Engineer, & Mixer based in Seattle, USA. I have worked with artists such as Whitney, Nancy Wilson(Heart), Josiah & The Bonnevilles, and Producers like Jonathan Rado, Shawn Everett, & Colin Linden.

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