Mixing & Mastering Engineers, Producers & Songwriters who worked with Grypt

Hooks on hooks like ABBA - BAO
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I've been an award-winning writer and producer with several pop and electronic acts since 2004. I'm offering some of my top skills to you here: writing hooky toplines, arranging vocal harmonies, and tracking crispy male tenor vocals. My vocal sound is closest to Prince, Bruno Mars, and The Weeknd. Bonus: I'm a hell of a whistler.

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Remote Producer + Songwriter - Julianne Hope
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Julianne Hope is the LA-based producer and songwriter behind Tayla Parx’s hit ‘More Me Than Ever,’ featured in the 2025 global TJ Maxx campaign.

Vocal Productions/Harmonies - Ve M. Entertainment
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Need Help with your vocals, harmonies or artist development? We do Artist Development (all genres including Hip Hop), Vocal Productions, (Help with recording in studio session), Vocal Coaching, which includes teaching harmony & pitch, songwriting, song selection, booking studio time, etc.

Online Mixing & Mastering - Gray
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Mixing vocals, mainly r&b soul, hip hop, and modern pop

Singer/Songwriter/Engineer - Mira

Semi finalist of the voice of Switzerland 2020

Hip Hop/R&B Producer, Engineer - Michailidis Music
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Producer, Recording/Mixing/Mastering Engineer from Athens, Greece 🇬🇷 Studied Music Technology in the Public Vocational Training Institute Kifisia. 5 years of experience and I am a studio owner since 2018. @hitmachinestudios I had the honor to work with two major Greek artists such as RACK and Leaderbrain.

Remote mixing and mastering  - Jayson Munro
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Versatile creative with fifteen years of expertise in songwriting, mixing, and mastering

I mix, and master records. - C.Jonezy
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I've mixed, and mastered records professionally for: Kelvin Damrell, former singer from "The Steel Drivers", Advent Epiphany, Center Of A Tension, and much more. I was a student, and mentored under Professionals: Jordan Valeriote, and Roelof Klop.

Recording and Mixing Engineer - Wall Of Fog
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Tracking, mix, and mastering engineer specializing in live performance capture.

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