Mixing & Mastering Engineers who worked with Binary Finary

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Photo of Nate Raubenheimer Protoculture
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(17)

Sixteen years of experience working with some of the biggest names and labels in the electronic music industry, specializing in music production, mixing, mastering and remixing.

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“Whether releasing tracks as Abstract Source or through his many collaborations, you get the idea that this brilliant artist and teacher will touch the lives of many people. His steady flow of directed and passionate energy takes the form of a wonderfully unpredictable musical output” Ashley Casselle | Global Underground | Junior Boys Own

Photo of Dave Hadley
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(1)

Pedal Steel Guitar ~ Dobro ~ Guitar

Photo of Paul Harlyn
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Paul Harlyn is a producer, keyboardist, guitar and bass player, studio owner, and arranger, but his specialty is working with artists and singer-songwriters. From concept to the finished master, Paul helps the artists he works with to bring out their musical vision.

Photo of SIMPLY T
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Simply T is an 8 time X-Poze-ing Music Award winner, an Akademic Award winner, a GA Music Award nominee, and a GANSPA Award nominee.

Photo of Lou Hemsey Music & Film
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(1)

"Creativity is the Master... Technique is the Slave" Audio CD Mastering with Heart and Soul!

Photo of Tobijah Rogers

My goal in music production is to transform human experience into musical form, and to create a product that is formative to the listener's experience. I aim to provide the utmost attention to your project at an affordable cost. Please reach out to me with any questions and/or bookings – I'd love to hear about your project!

Photo of Cole Phillips
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(4)

Producer and Guitarist from Nashville, TN.

Photo of ProgMark

My name is Mark I'm a musician specifically I play guitar and have been for more than 10 years. my influences range from classic rock, progressive rock/metal, new wave, metal, space rock, psychedelic rock etc.. I also recently graduated an audio engineering course with Recording Connection. My specialty is mixing, I am also GarageBand savvy.

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