Mixing & Mastering Engineers who worked with Through The Darkness

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Photo of Forte Studios
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Be Dynamic ~ Be Heard at Forte Studios - Providing a world-class audio environment. Our mission is to help you succeed. Now is the time to represent your audio professionally by working together to achieve a unique sound that defines your art.

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Photo of Rafael Calderon
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I am a writer/arranger/producer, guitarist, bassist, programmer. I can deliver in 2-5 days depending on extent of work. All music at these links was written, played or programmed and recorded by me. I'd love to help out with your music!

Photo of Damion Hill

I am an international freelance producer/audio engineer/songwriter. I've worked with clients not only from the USA but from places like Finland, Australia, Italy, France, Brazil, Sweden, & etc...

Photo of Lester Bose

I'm here to help you get to where you want to be

Photo of oscarosir

Well versed in sound engineering

Photo of Donn Jones
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I'm Donn Jones...mixing and tracking engineer. My job is to make the sound of your music magical! Originally from Charleston, SC. and I have been involved with music for over 17 years. Honor graduate of the prestegious SAE Institute of Atlanta. I'm also an R&B singer/songwriter. If you're in Atlanta and need a studio to record at...hit me up!!!

Photo of Erika Footman
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Hello, My name is Erika Footman I have been singing professionally for 13 years. I started with opera and ended up in a world of pop and rock. I have been lucky enough to have travelled around the world touring as a backing singer with artist, MIKA. Also touring and recording with British rock band, Skunk Anansie and myself.www.officiallyerika.com

Photo of Katie

I recently moved to Jacksonville from Albany, NY. I have a BA in violin performance.

Photo of Britannia Row Studios

Britannia Row is one of the longest established and best known names in the audio recording world; first set up in 1976 by Pink Floyd, the studio has been involved with some of the best known and loved records of the last 30 years .

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