Mixing & Mastering Engineers, Producers & Songwriters who worked with The Four Brasil

Need bass? Look no further! Electric, fretless or upright. Bassist for The Four Brasil, The Voice Brasil, Frejat, Simone, Ivan Lins, Milton Nascimento, Marcos Valle, Ana Carolina, Maria Gadú, Paulinho Moska, Lobão, and many others. 30+ years of studio and stage experience put to good use when recording bass tracks for you.

Pianist, keyboard player, arranger and composer with many years on the road and in the studios. Lover of technology as well as classic paths. I am currently acting as Keyboardist and Arranger on the TV shows "The Voice" and "The Four Brasil". My commitment is to put my experience in your music.

Hi, this is Klas from Blackhead Studios in Berlin. We work mostly in electronic music and offer mixing and mastering from stems or stereo files. Drop us a line and we can surely help you out.

I've spent my entire life helping people make the records of their dreams. Mastering engineer @ Bob Weston's Chicago Mastering Service. Freelance recording and mixing engineer based out of Electrical Audio in Chicago. Tour manager and FOH mixer for indie legends Superchunk.

John Fairy ➠ French DJ /Producer Supported by Don Diablo, Dash Berlin, Joachim Garraud, Maeva Carter, DJ Kolesky RADIO : NRJ, FG Radio (USA)

Heard. Not overheard. We take pride in accurate audio reproduction that comfortably fits each occasion. Beyond fantastic sound, our commitment to superior service extends to the venue, performer, and listener alike. Providing high quality sound reinforcement for small to medium sized music venues, local and touring bands, weddings and other private

Edit, Mix and Master your song in an acoustically treated environment with Sonarworks Reference 4 Calibration using SSL Native Plugins at an affordable price. You can also get guitars recorded.

LIMITED TIME OFFER 50$ Mix & Master. This is an introductory offer. Once the workload is prices will increase to 100-200$ per mix and master. The goal with this offer is to build up a clientele list and to level up skills through a large volume of work. DON'T MISS OUT!

I play trumpet like a texture, not a trumpet — cinematic, moody, and alive. Somewhere between jazz, ambient, and sound design. Ethereal, improvised lines you can drop straight into film or music projects.

I'd like the opportuinity to potentially make a masterpiece out of YOUR track.