Mixing & Mastering Engineers who worked with the aperture schematic

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Photo of Curtis Romano
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I am an inspiring producer who wants to pursue a career in the music field with a strong concentration towards audio mixing for other artists songs / music. I am 22 years old and constantly thrive to learn more and work towards being the best audio / mixing engineer I can be. I joined this site in hopes of doing just that.

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Photo of Front Row Recording

Musician/Producer/Engineer/Mixer- specializing in Alternative/Rock/Metal productions. If you are of this genre, look no further! I have over 20 years experience writing and producing hard rock & heavy metal music. All pro gear available in my personal production studio which I work out of making it affordable to indie bands on an indie budget.

Photo of Indigo
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New Zealand vocalist / singer. Have collaborated with artists and musicians both locally and internationally in genres including Pop, EDM, Pop-Punk, Hip-Hop, R&B, and Electronica. Have had tracks on local NZ radio George FM and UK BBC Radio. I look forward to helping you create your vision.

Photo of Bass Genoex
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Photo of Audio Oak

Hybrid mixing and mastering studio based in Luxembourg/Europe

Photo of Lee Hundy

Hi, my name is Lee - I am currently studying a bachelor of Audio Engineering and Sound production at JMC Academy (Sydney).

Photo of THE CROWS NEST STUDIOS

Hello there, My name is Olly Betts and I run The Crows Nest Studios in Hackney East London. I am a Producer/Engineer and Drummer. I specialise in recording bands and singer/songwriters, producing commercial releases at affordable prices. I also offer an online mixing and drum recording service. www.imixyoursongs.co.uk www.drumsforyoursongs.com

Photo of Hobbyist Audio

I make the music recorded as a hobby sound like it's pro.

Photo of Jake Harrell
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(44)

What's up! I'm a singer/songwriter from Los Angeles, and music is my life. I've been recording professionally for 13 years. I was signed to Def Jam under Shakir Stewart in 2007, but now work independently.

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