Mixing & Mastering Engineers, Producers & Songwriters who worked with Sweet Mystic

Remote Rock Mixing - Ken Stringer
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Ken Stringer of Daws Hill Music studios is an experienced, dedicated, and passionate mixing engineer and musician.

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Versatile Artist - HARA

Able to bring the art into it's organic form and help artist and producers expand their creative ideas.

Moblie mixing/recording - Soundie on the go

Soundie On The Go is completely mobile and always comes to you anywhere in Brisbane. Being mobile also allows for any music to be sent to Soundie then sent back with a pro sound. With top of the line equipment such as the Rode NT-1 mic and one of the most portable consoles the Behringer Xenyx. Soundie can't wait to hear your latest project.

remote mixing & mastering - Swami

cool guy

Production-Mixing-Recording - Single Wide Studios
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Just a couple independent musicians trying to help other artists bring their visions to life!

EDM Production and Mixing - Oliver Michael
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10 million artist streams and 230,000 monthly listeners for my artist Oliver Michael. I've composed music for Redbull, Mercedes and Patagonia but my real joy is in creating beautiful, emotional, hard-hitting electronic music. I can polish your mix and get it sounding professionally mastered, make your vocals pop or give you some direction.

Music Producer - Eleisha_Beats
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Well i´m just the Producer you should have the Punchlines

Remote Mixing & Mastering - lucidmixedit
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Naji Bent-Vasquez (LucidMixedIt) is a Recording and Mixing Engineer Who provides his clients with the best quality recording and mixing possible while helping his clients achieve the music of their dreams.

Mixing/Mastering/Producer - Quenton Smith

I won't just slap reverb on everything and charge you $500, if that's what you're worried about. Currently working for less than the listed price, but have some of my own works as reference. Search my name up in your service of choice, and you'll see me with a suit jacket and a Corona. The tracks will tell you the rest of what to expect.

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