Spearfish Audio Engineers, Producers & Songwriters
Let's make it hit. Forget just "balancing faders." I’m here to give your tracks the professional edge they need to cut through the noise. Whether you’re cooking up hard-hitting trap, bedroom pop, or a genre-bending fusion that doesn’t have a name yet—I’m the bridge between your raw demo and a world-class release.
Rick Clark, as a producer and mastering engineer has worked with many of the best modern film music composers: Hans Zimmer (BBC's Emmy Award Nominated "Planet Earth II" / “Planet Earth III” & "Blue Planet II"), Max Richter ("Guerrilla"), Lorne Balfe (“His Dark Materials” & “His Dark Materials - Series Two”), Ilan Eshkeri (“Informer”) Harry Gregson-
I work with artists, studios, and production companies to craft relevant music with an original sound. Music should have the feel of the culture but most importantly, always sound like you. I write and produce for LSE, a record label in association with Sony Music. I also write and produce for local studios in Dallas, TX.
#1 most hired female singer/songwriter with millions of streams. Worked with Avicii, Netflix, Spinnin’, Ultra, & many more. Recent SoundBetter tracks played by Axwell, Miss Monique & Diplo. Heard at music festivals/events including Ultra, EDC, Tomorrowland & Burning Man. I'll make your song RADIO READY & take it to the next level!
BMG signed singer/songwriter from Phoenix, AZ who has worked with such artists as: Lady A, Cheat Codes, Alan Walker, Monsta X, Au/Ra, Kina Grannis Far East Movement, and many others.
Grammy-nominated, multi-platinum mixing engineer and producer.
I've been behind the desk for the past 25+ years because as much as I love music, I love the creative process and helping artists make the most of their art. My goal is to get how you hear how music in your head to come out of the speakers, or to exceed that. Reach out to chat about your project or for more samples of my work. Here's my bio...
Plus, the biggest-selling Disco single of all time, according to Guinness World Records. Rankings are from Billboard magazine.
,You need me...I don't need you. If you want quality, pay me.
Don't pay a technician $200 an hour to edit a song or podcast. We will help you achieve your desired sound at a fraction of the cost.
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