Mixing & Mastering Engineers, Producers & Songwriters who worked with Solo Juan

Beatmaker / Guitarist / Producer / Composer

My name is László Gálosi I am offering music production service online or local in Budapest, Hungary. From complete production process including song-writing, demoing, pre-production, recording, mixing, mastering through individual elements of the process such as editing, sound design or remixing in different genres in music.

Notable projects for Nick include Akon (Konvict Kulture Records), Sean Kingston (Epic Records), Chris Bosh (Daddy Jack Records), The Night Game (Interscope Records), Sam DeRosa (Monument Records) and Max Frost (Atlantic Records).

Tanglewild Studio is devoted to delivering beautiful soundscapes for both music and film using a combination of our experience, and close collaboration with our clients, to ensure the final product is the best it can be.

We will compose and produce a great soundtrack for your media productions.

Soulful & funky, crisp & clear, masterful harmonic and rhythmic complexity and sweet sounding simplicity. I have been working at the forefront of NYC's Jazz and Latin music scenes, performing & recording with some of the top musicians in the world including Orquesta Akokán (nominated for a grammy in 2019) & reggae legend Burning Spear.

Versatile music composer and songwriter, Willie Eaglin III, writes multiple genres of music. He specializes in orchestral trailer, tension/underscore, all forms of urban/hip hop and various styles of pop music. I work well with specific/detailed briefs, deadlines, quick turnarounds etc. .E! ESPN Vh-1 MTV BRAVO NBC CBS NBA MLB NHL Lifetime and more

I am a classically trained audio engineer and music producer with experience in the hard rock/metal and dance music industry. My works have released on Atlantic Records, Universal Music Group, Ultra Records, Insomniac Records, OWSLA, Dim Mak, Buygore, Subsidia, Proximity, Sumerian Records, Tragic Hero Records, Facedown records.

Epistemic Audio (df. = of or relating to knowledge of audio) describes my approach to mixing: listen carefully, know the track's goal, and make every mix decision to achieve that goal. This allows me to treat each project fresh: no templates or presets, just ears and knobs.