Mixing & Mastering Engineers, Producers & Songwriters who worked with Rosellas

Remote Mixing and Mastering - Oliver Shillito
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Mastering engineer specialising in making your tracks sound punchy and amazing!

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Musician - João Cabrita
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HI, I'm a saxophone player, all around musician, arranjer, composer and producer from Portugal since 1989. I've worked with most of the portuguese top musicians and artists. I also do Soundtracks for theatre and cinema.

Professional Mixer  - Micah Johnson
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Micah Johnson has 20 years experience as a Mixer and Recording Engineer. He has worked in some of the top studios in the world including Hit Factory Miami, Criteria, Capitol Studios and Eargasm. Through out his career he has worked on many Multi-Platinum records and really has a passion for mixing records and working with Indy Artists.

I do swag - Lukas

I want to collaborate

Singer, guitarist, songwriter  - Bob Forte
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"Music is made to be shared", and I can't wait to work with you!!!

Remote MIxing & Mastering - SammyKBeats
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I am an expert at mixing and mastering vocals. I can add effects to your voice such as auto-tune, or whatever else you need.

Professional Sax Recording - Alexander Bihn

20-year professional musician and horn player (all saxophones, flute, trumpet, flugelhorn). Can perform any melody almost immediately, true musician with a long list of professional recordings on film scores and touring bands with international play. Ability to solo and make hooks and melodies.

Music Technology, Pianist - Ntarra CranX
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Ntandazo Vuyile Mtshengu, stage name Ntarra CranX is an artist, music producer and sound engineer from the small town of Matatiele in the Eastern Cape, South Africa. He started playing the piano at the age of 3 when his father taught him the national anthem on a toy keyboard. He since fell in love with music and started composing at the age of 8.

Mastering and Mixing - Markus Abendroth - zodiaque

I love mastering and I'm really passionate about it. I do analog and ITB - whatever feels good. Apple Music certified.

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