Mastering engineer specialising in making your tracks sound punchy and amazing!
I’m Oliver Shillito, a mastering engineer dedicated to helping artists and labels achieve the best possible sound. With over a decade of previous experience as a producer and mixing engineer, I understand the nuances of music production and how to bring a track to its full potential. I now work as a Mastering Engineer full time to help bring those projects over the line.
I’ve had the privilege of mastering music for countless artists, as well as working with respected labels like Universal, This Feeling Records, Position Music, Hive Music, Float Music, and many more. My approach is built on precision, musicality, and ensuring that every track is ready to shine across all platforms.
Beyond mastering, I’m happy to offer advice where needed—whether it’s fine-tuning a mix or optimizing your tracks for release. My goal is simple: to elevate your music and deliver a polished, professional sound that stands out.
Let’s make your music sound its absolute best.
Send me an email through 'Contact' button above and I'll get back to you asap.
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Interview with Oliver Shillito
Q: What do you like most about your job?
A: Hearing an artist say "Wow, I never thought my song could sound like this" when they get the master back, having become so accustomed to how the mix sounds.
Q: What's the biggest misconception about what you do?
A: That AI can do it for you or that you can apply some plugin presets and be done with it.
Q: What type of music do you usually work on?
A: I work with a lot of Indie and Alternative bands but I am also at home working on Metal, Rock, Blues, Pop and anything in between. I also work on Sync Music and Trailers from time to time.
Q: What's your strongest skill?
A: My strongest skill is my gut instinct. It has never let me down yet!
Q: Tell us about your studio setup.
A: I currently have Amphion One18's, an Antelope Orion 32 Gen 4 and a whole host of outboard gear!
Q: Describe the most common type of work you do for your clients.
A: I am most known for being a Producer and Mixing Engineer but I am now focussing solely on being a mastering engineer as I find I can add more value to more clients this way.
Q: What are you working on at the moment?
A: Multiple albums and EP's as well as working on TV music and trailers. I like to keep busy!
Q: Analog or digital and why?
A: Both and for different reasons. Digital for efficiency. Analogue for vibe and character. Digital emulations of classic analogue gear are getting better and better but you just can't touch the real deal. There is something inherently random about analogue that algorithms just cannot replicate. Not yet anyway...maybe one day!
Q: What advice do you have for a customer looking to hire a provider like you?
A: Shop around, send out some messages. Pick a Mastering engineer that has worked on music similar to yours. Do not be swayed purely by a "name". There are underdogs in this game providing amazing work. Don't be afraid to be bold and work with someone you've never heard of. Even if they live in a different country. You just never know what results you can get.
Q: Which artist would you like to work with and why?
A: Deftones - my all time favourite band. I don't think there is much I wouldn't give to work with them in some capacity. I'd even make coffee and change drum heads!
Q: Can you share one music production tip?
A: Always serve the song and not the ego. Know when less is more.
I was the Producer, Mixing and Mastering Engineer in this production
- Mastering EngineerAverage price - $50 per song
By hiring me, you confirm copyright ownership of your audio. I offer 3 revisions, a 5-day turnaround, and no refunds once work begins. Files must be backed up. Disputes are handled via SoundBetter.
- Death Cab for Cutie
- Deftones
- Oasis
- Amphion One18
- SPL PQ
- Smart Research C2
