Producer and Audio Deity

Q: What are you working on at the moment?

A: An abundance of live sessions as well as producing withing the anti-pop alt-rock scene.

Q: Analog or digital and why?

A: Digital, I love the absolutism of digital manipulation.

Q: What's your 'promise' to your clients?

A: I will work tirelessly to make your song meet and exceed the industry standard.

Q: What do you like most about your job?

A: I love reaching a customer's goals with their art and enabling them in a way they didn't reach before.

Q: What questions do customers most commonly ask you? What's your answer?

A: Are you able to make me sound like [insert artist]? The answer is almost always yes; I strongly enjoy studying art and replicating sounds.

Q: What's the biggest misconception about what you do?

A: As much as it is a science, production is also an art. While there are general ground rules to meet the industry standard, you are never bound to a single output.

Q: What questions do you ask prospective clients?

A: What sound inspires you? what do you want your listeners to picture visually?

Q: What advice do you have for a customer looking to hire a provider like you?

A: Always pivot to creative drive over all else. A producer who shares your vision is invaluable.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: My Godin A6 Ultra, Ibanez EHB, laptop, 4x4 input, and Rhode mic.

Q: What was your career path? How long have you been doing this?

A: I've been in this scene for the better part of a decade. I started as a lighting engineer and gradually moved to live sound before integrating into the studio world.

Q: How would you describe your style?

A: Percussively driven and incredibly attention oriented. I put detail in every minuscule effect or sound.

Q: Which artist would you like to work with and why?

A: I'd love to work with Maurada, Cavetown, Brakence. My inspiration comes from everywhere.

Q: Can you share one music production tip?

A: I love doing manual volume automations over sidechaining for the easy detailing.

Q: What type of music do you usually work on?

A: Primarily trap and hyperpop, as well as pop and alt music.

Q: What's your strongest skill?

A: Fine tuning parameters

Q: What do you bring to a song?

A: I bring professionalism and years of industry experience, as well as passion and attention to detail.

Q: What's your typical work process?

A: I spend a short time conceptualizing, followed by percussion organization and tonal arrangement, then effects processing.

Q: Tell us about your studio setup.

A: I run a hyper-efficient setup oriented around a general audio mic and a tracking hub, followed by an effect-centric processing model.

Q: What other musicians or music production professionals inspire you?

A: I'm very inspired by the electronic pioneers of the 80s and 90s.

Q: Describe the most common type of work you do for your clients.

A: Drum Programming and Audio Manipulation