Mixing & Mastering Engineers, Producers & Songwriters who worked with Reject

Unlock the full potential of your music with professional-grade Mixing and Mastering services with from me, Zane Lambert, where your sonic dreams become reality.

We are a full service Grammy Nominated and Billboard Charting Music Production/Song Writing Team with 30 years combined experience and knowledge. Production, Editing, Engineering and Writing credits include Pop Evil, Godsmack's Sully Erna, P.O.D, Jax(American Idol), Chicago, Prospect Hill, Lansdowne.

Hello, I am a 29 year old guy from Romania with 8 years of experience in music producing and composign as a ghost producer mainly! I have made more than 150 projects, none of them were rejected, they were always been corrected as the client asked me. My main terrance is deep house, house, progressive but I make movie soundtracks too!

I work as an Audio engineer in South Korea. I have 6 years of experience in Audio Engineering. I have a commercial career and am actively engaged. I do many mixing and mastering. and also work for pre-mixing work, audio editing and vocal tuning as well. I have my own studio at Seoul, South Korea. So I can do very high quality work.

Danny Kotz, Berlin-based Musician, Producer, Audio Engineer, and a Dj. Over the last 14 years, I have been touring the world as a Dj and a Live electronic act and was putting out dozens of releases and remixes in the genres of underground House and Techno who made it to the top dance charts of Beatport. My studio is located in the heart of Berlin.

“Radio ready mixes without radio ready rates”.

Uday is a fierce voice from the streets—an unstoppable rapper, gifted writer, and visionary composer whose words hit hard and rhythms hit harder.

I am a bass player who places groove first and enhance the track with unique tones. I have collaborated with a number of artists and bands including Arjuna Oakes, TOI and Wiri Donna.

I deliver spec-compliant Dolby Atmos mixes that translate cleanly across Apple Music, TIDAL, Amazon, and real-world Atmos systems. My focus is object stability, bed clarity, and ADM BWF delivery that passes platform ingestion without revision loops. Built for release, not experimentation.