
I deliver spec-compliant Dolby Atmos mixes that translate cleanly across Apple Music, TIDAL, Amazon, and real-world Atmos systems. My focus is object stability, bed clarity, and ADM BWF delivery that passes platform ingestion without revision loops. Built for release, not experimentation.
I specialize in Dolby Atmos mixing and delivery for release and distribution, with a focus on spec accuracy, translation, and predictable playback across consumer and reference Atmos systems.
My work is built for platform ingestion, not experimentation. I prioritize stable object placement, clear bed construction, controlled spatial motion, and ADM BWF delivery that meets Apple Music, TIDAL, and Amazon requirements without unnecessary revision cycles.
I work with artists, labels, and post-production teams who already understand why Atmos is required and need it executed correctly. This includes full Atmos mixes from multitracks or stems, stereo-to-Atmos spatial adaptation when appropriate, and repair work for projects that have been rejected or flagged during delivery.
I do not offer creative production from scratch, playlist guarantees, experimental novelty mixes, AI upmixes presented as true Atmos, free test mixes, or educational consulting. My workflow is optimized for first-pass correctness, clear communication, and defined delivery targets.
Atmos works best when treated as infrastructure, not spectacle. My role is to make sure it holds up in the real world.
I maintain the Dolby Atmos Audio Test reference suite used for system verification and delivery validation. Technical documentation available at daataudio.com.
Send me a note through the contact button above.
- Dolby Atmos & Immersive AudioAverage price - $300 per song
Projects are scoped per agreement. One revision included. No guarantees beyond technical delivery.
- Hans Zimmer
- Brian Eno
- Dolby Atmos production environment
- 7.1.4 monitoring workflow
- ADM BWF delivery pipeline
- platform compliance validation



