Funk Podcast Editing & Mastering
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Hi! I will mix and master your audio project. I specialise in mixing Rock, Metal, Folk, Country, Jazz, Funk, Ambient and Orchestral music as well as editing/mixing Podcasts/Dialogue.
I have over 15 years of experience and have a prolific music career as All Good Funk Alliance. I'm currently mentoring under platinum award winning sound engineer Greg Lukens who was the sound engineer for Rush.
Hey! My name's Mike. I've been a bass player for 15 years and have played with multiple bands in a variety of styles. From funk and pop to post-rock and prog, I can provide you with a timely and well-written product no matter what the project! I also play guitar and create beats in my home studio.
It takes years of live performance to know what works in the studio. As the full-time touring and recording bassist for Sister Sparrow & The Dirty Birds, Kinan Azmeh's Cityband and Heather Christian & The Arbornauts, I developed a keen sense of what the song NEEDS - harmonically, rhythmically and sonically, to bring a track to the next level.
Music producer, audio engineer, keyboardist and art passionate. Lending a helpful hand to artists worldwide via Mixolidio Musica, my own record label. Talking about music on A Pauta, my self-produced podcast. Insistent, creative, perfectionist and future-minded. Let's make some music?
Argentinian producer and sound engineer based in Berlin. I usually like to work the production as a whole concept and help the artist to find the characteristic sound they've been looking for, adding as well the influence of the mixed background I've worked with. I am house engineer in Bluewhale Recordings in Berlin, a full-analog studio.
Brooklyn based saxophonist, arranger, composer Dan White has performed with Vulfpeck, Bill Murray, Allen Stone, Andy Grammar, O.A.R. and has toured the world performing original music with his group Huntertones. If you're looking for sax and horns in any style for your next track, or music for your film or podcast, look no further!
Thanks for reading. I'm here because I can't seem to get enough sound - I just want to make; I like weird, I like unique, I like textures, I like rhythm. Anything that I can do to better serve the message somebody wants to convey, the more fulfilled I feel. I look forward to hearing from you.