Phoenix Audio Engineers, Producers & Songwriters who worked with Phoenix

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Producer (singles and albums) - IRVING JACK
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Click the music on the right. You're hearing a London vocalist (Sam Robson). Horns from the Hague. Grammy nominated flutist from Phoenix. Grammy nominated mixer from Atlanta. Grammy winning mastering engineer in NYC. The game is changing and the market is saturating. There are a handful of truly great producers here on SoundBetter.

Producer, Remixer - $cotW8

I'm here to make hits and have helped remix some of the best songs out there too! Let's make some magic together soon!

Drummer, Singer, and Engineer - Dash Hutton
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Touring drummer for bands like HAIM, Sugar Ray, Hanson, Weyes Blood, and many more. Drum and vocal studio work with artists like Tim Armstrong, Jimmy Cliff, the Interrupters, Van Dyke Parks, and others.

Session Drummer, Producer - Andrew Tolman

Remote drum recording for your tracks. I've mostly recorded drums for bands I've played in which include: Imagine Dragons, The Moth & The Flame, and Mondo Cozmo. But as of the past few years I've set up a home studio to record remotely. Latest releases I've recorded at home would be Quinn XCII "Two 10s and Mondo Cozmo "Upside Down"

Radio Ready Mixing & Mastering - Matthew R. Gibson
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(19)

I specialize in mixing, engineering, and producing singles, EP's, and LP's for independent artists and bands.

Producer, Mixing Engineer - Shay @ HotTee
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(2)

I sip tea and make beats.

Session Sax and Horns for hire - Sonido del Sol Horns
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Emilio is an affordable, high-level, versatile session saxophonist and horn arranger with solo and horn line recording experience in Hip-hop, Pop, Jazz, Indie-Rock, Americana and Latin genres. Sonido del Sol works primarily with local Phoenix artists to help them bring their songs more energy and life.

AD/Mix/Mst Eng, MP & Sound Des - LBRB
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I deliver powerful, release-ready masters through a custom DSP workflow and identity-preserving methodology built around deliberate, record-specific decisions. I analyze tradeoffs between impact, tone, dynamics, width, loudness, and translation, then shape the master around what the music actually needs, with clear reasoning behind the result.

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