Live drum tracks in Napa
Dennis Holt is one of Nashville's most gifted musicians, whose drumming abilities cross nearly every genre from Americana to Country to Rock, Jazz, Ambient and R & B. Seasoned global performer, Dennis’ diversity has proven itself in recording with Taylor Swift, AD/Kansas, Emmylou Harris, Trisha Yearwood, and Deniece Williams to name but a few.
With 30 years of recoding experience and a keen ear for what a song needs, I can deliver professional drum tracks with solid feel, interesting parts and textures, and tons of vibe. I'm also a super nice guy who's easy and fun to work with.
Studio drummer with Multi-Platinum recordings over 35 years. I played on hit albums by Paul McCartney, Dire Straits, Edie Brickell, The Waterboys and many others. Iconic tracks such as 'What I Am' and 'The Whole Of The Moon'. I love popular music from the 1960's to present day, singer-songwriter to contemporary electronica.
I am the drummer in the Brit Award winning and Grammy nominated band Bastille. In between touring commitments, I have record drums for the likes of Charlotte Plank, Alice Merton, Beatrich and ONR feat. Nile Rodgers, all from my home studio. I record high-quality drum takes and always love to collaborate with new artists.
I have performed live and recorded many studio records with: Carlos Santana, Billy Joel,The Tubes, James Brown, Aretha Franklin, Al Di Meola, Return to Forever, Todd Rundgren, Cool and the Gang, X.T.C, David Bryne, Brain Eno, Jan Hammer, Joe Satriani, Miles Davis, Third World, Inner Circle, Raquel Welch, Toni Basil,
World Percussionist specializing in Tabla, Doumbek, Frame Drum, Riq, Tonbak, Cajon, Pandeiro, Drum Set and Steel Pan.
We are professional and experienced in both music production and post audio ( VO recording) and mixing. Pro gear, the right Mics, and the experience to make you sound your best.
I'm not really into sales pitches. I'd rather let my work speak for itself; feel free to read further about me and where I'm coming from, listen to a few samples...if you like what you hear, let's get to work.
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