Mixing & Mastering Engineers, Producers & Songwriters who worked with gnarls barkley

Mixing & Mastering - Kennie Takahashi
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2 x Grammy Awards. Over 3.4 billion streams. Radio ready mixes. Free revisions. Collaboration with the artist is key in finding the right sound for music. I will work with you to get the best mix for your record.

Music producer, sound engineer - gaara
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Hire me for your project as I have 14+ years of experience. I have remixed songs for Billy Eilish, XXXTENTACION, Excision, Soulja Boy, Lil Wayne. Hire me as your Song Remixer ,Youtube beat remaker, Mix & mastering ,sound engineer, vocal engineer , music producer, song writer,.

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Tracking-Mix-Master-Production - Digital Audio Development

25 years being Las Vegas' premiere source for Custom Tracking, Vocals, Mixing, Mastering, and Production.

Mixing, Mastering Engineer - DaWeed
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Hi, I am Dawid, certified audio engineer. I studied at Hofa GmbH in Germany.

Female Singer/Songwriter - KAYA E
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I'm a fast working female singer/songwriter with lots of experience & passion.

Topline Writing and Pop Vocals - Ari Voxx
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Dynamic, ethereal vocals and extremely catchy melody writing. How many can say they have these natural talents?

Producer - Kanadome

I am on a mission to create custom sounds tailored for each individual client, sharing moments of inspiration. From custom composition to mixing and crafting soundtracks for games, I strive to deliver sounds that surpass client expectations."

Songwriter  and singer - Krysie k
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Whether you're looking for a topline, full song, or lead/background vocals, I bring high-quality recordings, clear communication, and a creative approach that will elevate your track.

Studio and Live Drummer - Matthew "Doc" Duncan

Drummer for The Downstairs. Over six years of live performance experience consisting of over 600 shows. Worked with Chris Byron, Troy Aubrey, and other local producers. I can play most genre's including, rock, indie, pop, country, and am interested in breaking into the rap and hip-hop genres of acoustic drums.

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