Mixing & Mastering Engineers, Producers & Songwriters who worked with Euroboys

Mixing|Mastering|Dolby ATMOS - Stefan Boman
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30+ years of mixing. Clients include Opeth, Roxette, The Cardigans, Avicii, Ghost, Kent. What I hear all the time from my clients is that they like my sense of creating depth, warmth and feel to their mixes. Certified in Dolby Atmos and an approved mixer for Universal Music Group.

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 - Joey Buddenberg

Working mainly in theatre and live events, extensive skills on automation, sounddesign, live mixing and recording.

Creative Music Producer - Carey Clayton
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I help ambitious artists create standout professional songs. I do a lot of work in Pop, R&B, and indie rock, but have deep and broad experience in many genres. I've helped many artists realize their songs ideas into full, finished, radio-ready tracks. Nothing gives me greater joy than bringing a client's musical vision into reality.

Session Vocalist - Ky

Ky is a classically trained crossover baritone with nearly two decades or performing and recording experience for artists such as Lou Reed, Elton John, Alicia Keys and Barbara Streisand.

Remote mixing and mastering  - Martin Mikkelsen

Musician and music producer with a bachelor in music production and engineering from Berklee college of music.

Drummer for all the things - Liz Aponte

Hey! My name is Liz and I play drums.

MOOD INFLUENCER - BADBIJAN
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Expertise in producing instrumentals based on the latest trends in the music industry. Proficient in composing samples in multiple popular genres. Knowledgeable in mastering audio to the current set professional industry standard.

Demo and Backing Vocalist - Hayley Fahey

Vocals are my specialty. I'll sing a lead vocal for your demo and will provide you with a tuned and edited lead vocal that will make your original song shine. If you need backing vocals, I will come up with harmonies and backing vocal parts that add dimension and movement to your track.

Multi-Instrumentalist - Joe Veltri
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I strive to be a chameleon. You wouldn't dress the same way at a fancy job interview as you would at a rock show. Similarly I wouldn't play the same way at a rock show as I would at the cocktail hour of a wedding. My goal is to make the music speak for itself, not to inject myself into the music.

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