Mixing & Mastering Engineers, Producers & Songwriters who worked with cretyn

Music Production  - Everwave
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I will help you create/produce your song. Competitive pricing for professional mixes Lots of experience with multiple genres 6+ years of production knowledge Access to many industry standard plugins like Omnisphere and Melodyne and many more

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Studio and Live Engineer - Sebastian Mathews
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Hi! My name is Seb. I am a young audio engineer devotedly passionate about music and the sounds of life. I have been experimenting with sound since a very early age; my whole life led me to the choice of this path comprised of science and art. Let me tell you more...

Producing,mixing,mastering - Uwe Felchle
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making music since a long time, playing bass, guitar, and vocals...producing-got my own studio..stay funky!!

Mix e Mastering - Maxi
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Remote Session Drummer - Alex Sadler
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You have a smooth couple of riffs in mind, so you put it down on a track with a gross bass line but here’s the issue, you and your bassist don’t play drums; thankfully I do. I have the kit, the microphones, the interface, and DAW to emphasize just how smooth those chords are connecting in your song. ✌🏻🎵

Remote Mixing  - Thomas Priest
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Having years of learning and practice with some of the best studios, I want to provide artists with professional mixes at a reasonable cost. Your song or podcast will be brought to life with industry standard mixing equipment and plugins!

Session singer - Jaynee
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Sweet sounding voice, excels in pop songs, children's music and big ballad songs-was called "the vibrato goddess" by my last music producer.

Mix Engineering - Aidan Sey

A darn good service

Rock/Hiphop producer/engineer - mhawks97

My name is Malcolm Hawks and I go under the name 'tatami', and I typically do Japanese fusion rock but, I also do music scoring compositions and Hiphop beats. I have amassed over 200,000 streams across DSPs from songs that I have Recorded, Produced, Mixed and Mastered by myself. I also sing, play guitar, bass, and/or piano on every song.

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