Mixing & Mastering Engineers, Producers & Songwriters who worked with BodyBag

Recording, Mixing, Mastering - Kostek Dolganov

Recording, mixing and mastering engineer, producer. I designed, built and now worki in Hiboll Studio. I prefer to work with Old-school Death metal, Old-school Grind-core, Black Metal, Hard-core, D-Beat, Punk. I'm make the sound '90s. I use to many old-shcool record techniques. Have a lots of outboard gear and i'm use it !

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Mixing and Mastering Engineer - Matias Del Papa
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With more than 20 years of experience in the music industry, my goal is to provide the musicians and producers the best sound quality in their projects delivering professional grade mixes in all styles

Creating Music - Pausa Production House

Pausa Production House is a high-end recording studio, built and equipped according to international standards. The compound offers a variety of audio services: album production, remote recording services (with an amazing drum room), jingles and musical editing, next to musical production for every project.

Session/Live Violist/Violinist - Kiara Ana
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Hey! I'm Kiara Ana and I'm a professional violist and violinist based in Los Angeles. Does your song need a little bit of live string love? Perhaps just one haunting line? Or stacks of sweeping orchestral lines? Maybe you don't know what it could use, but you think strings might be the answer? Let's chat, be creative and get strings on your song!

Remote Mixing and Mastering  - Hamilton Studios

Green Day, Trippy Red, Drake, Ed Sheeran and many others have relied on Hamilton Studios expertise and experience to realize their projects. High end, high fidelity mixes that do not break your budget.

Professional session vocalist - Inge van der Veen
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Professional vocalist. Allround, but specialised in backing vocals, vocal arranging and studio recording. Sings in English, Dutch and German.

Professionnal Session Drummer - Jacques
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Professionnal session drummer based in Toulouse, France

Music producer - Z
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Music has always been in my life—literally. My first word wasn’t “Mom” or “Dad,” it was “Speaker.” That pretty much set the tone for everything that followed. I believe that sound itself tells a story—it shapes the way lyrics are felt, turning emotions into something tangible.

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