Mixing & Mastering Engineers, Producers & Songwriters who worked with Blunt Mashh

Producer, Mixer, Drummer - Mitch Crane
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I've been producing, mixing and mastering for over 10 years at Beats A Bar Studio in Wolverhampton with many tracks on Spotify and itunes. I specialise in Hip-hop, trap, drill, and R'n'B but have also worked on rock, funk and acoustic tracks as well as even audio books and radio shows.

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Session Bassist - Mike Clairmont
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Hello! I'm a professional LA-based bassist & record tracks for artists all over the globe, & pride myself on creating the perfect bass part - whether it's a nice, warm/round tone, an edgy, driving part, or any sound whatsoever that you envision...I have the tools & a multitude of effects and sonic tricks to mold my bass lines to fit your songs!

Music Producer - Sergey Suokas

Music for TV, films, games and advertisings.

Country Music - Doug Adkins

Attention Producers, Engineers, Publishers, Singers! I have 200 recorded country songs for your next project. I'm an expert at Comping Vocals, saving you time! Expert songwriter getting that lyric and hook just right! Demo Singer with own studio. Written, Recorded, Released 11 Country CDs.

Remote Music Production & Mix - Arthur Navarro

Graduated in Abbey Road Institute in London, UK, Class of 2018. I am a Sound Engineer, Music Producer and also a Composer and Artist, so I totally understand being on the both sides, Control Room and Live Room. I always aim for the best choices for work of the artists and clients I get the chance to work with and also look for their satisfaction.

Producer and Mixing Engineer - Clayton Lovett

Multi-instrumentalist, producer, and engineer for artists on a budget.

Mixing Engineer of any Genre - DRAYS
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Hi, my name is DRAYS, an independent Music Producer, Mixing Engineer, Creative, and DJ currently based in the Philippines. I am known for producing tracks such as "PRETTYBOY INDEED EP", "Kwarto", and "Bukang Liwayway". I am also known for Mixing and Mastering tracks such as "Mutual", and "Tayong Dalawa".

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