Mixing & Mastering Engineers, Producers & Songwriters who worked with Artefact

Rec. Studio - Session Drummer - Nicolas "Ranko" Muller
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Natural drums for any kind of projects Human factor in a tight playing Modern yet dynamic mixes Produced with passion and delivered with the love of a well done job.

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Mixing Engineer, Editing - Josh Fielden Sprogglet Studios
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I want to bring your music to life and be a part of your story. With a sensitivity to the artist's vision, I will provide you with a high-quality Edit/Mix of your art. I specialise in Singer-Songwriter, Rock and Metal genres have worked with incredible artists such as US artist: Mitchel Dae and most recently, Marigolds - signed to Beth Shalom (UK)

Natural timing and tuning - Invisible Edits
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Here at Invisible Edits we specialise in natural sounding edits. Free from artefacts, or the 'auto-tune' sound, our edits put any instrument or vocal in time and in tune without compromising on the emotion and energy of the original performance.

Best Violin Tone on the Planet - Spicy Violin
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We've all heard of vocal production but have you ever experienced VIOLIN production? For too long, classical violinists have gone to professional studios to record parts that could easily be replicated by a Kontakt library. You need someone who has spent their entire life mastering violin and recording. You need Spicy Violin.

Mix Engineer for most Genres - Bradley Scott O'Dwyer

A young producer who can work in most styles. I have been recording and mixing bands for 4 years and have played up and down the country with my own bands supporting bands such as Narrow Head, Modern Colour, Potwash and Josh Scogin of Norma Jean. I mainly produce in post-hardcore / emo music however, I have worked in many styles such as drill, RnB

Mastering dude - Antonio Sabato
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Musical audio editing - Tal Janes
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Every move contributes to the feel of your music so I will always put that as a priority when editing your audio.

Audio Restoration and Voice Cl - Andy Bramhill

I specialise in restoring and improving problematic audio so that voices sound clearer, closer and more natural, without artefacts or over-processing.

Mastering & Mix Engineer - Michael John Jefford
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Mixing and mastering for psychedelic rock and electronic records: the depth and saturation of old studio chains, with the clarity and level a modern release needs. I wrote, played, produced and mixed Laguna Seca’s O Tempo for Throttle Records, after years releasing techno on Stroboscopic Artefacts, Our Circula Sound and my own In Silent Series.

Recent Successes

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