Mixing & Mastering Engineers, Producers & Songwriters who worked with 4hunnitbandz

Remote Mixing & Mastering - Alston Tyler
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Premium Mixing and Mastering Services with concise and clear communication! Not just a service but a working relationship. Trust is everything in this industry.

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 - Britannia Row Studios

Britannia Row is one of the longest established and best known names in the audio recording world; first set up in 1976 by Pink Floyd, the studio has been involved with some of the best known and loved records of the last 30 years .

Music Producer - Riddnce
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I put a lot of care into the work I do and am not satisfied unless my clients and listeners are thrilled with the result. I specialize in creating relatable and moving dance music experiences that transport the listener to a better place. I've been featured in numerous blogs and radio shows such as Platinum Radio London.

Pianist, Keyboardist, Producer - Dario Boente
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The term "crossover artist" can mean many things. In the case of Grammy and Latin Grammy Winner Pianist and Composer Dario Boente, it means a musician who is equally at home performing Jazz compositions on a grand piano, as he is producing cutting-edge electronic genres. 

Music Producer - Diet 75
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Nostalgic, secondary beats with from the PNW.

music - Tommy complex

All about music and sound

ElectronicMusic Mixer/Producer - Camille CAMARA
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Hi I'm Camille from Jabbewocky band (+90M streams) / Platinium Producer.

Mixing, Mastering - Jesse Oberin

I’m Jesse, a Melbourne-based mixing and mastering engineer. I help artists turn recordings into release-ready mixes and masters that feel honest, preserve the emotion, and connect with listeners on every system.

Metal and rock Mixing  - Marek Stavros
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Hi! I'm Marek, a professional mixing and mastering engineer with over 7 years of experience. I specialize in metal genres, from classic heavy metal to thrash, death, modern metalcore, and djent. My mission is to help bands and musicians achieve their ideal sound—clean, powerful, and perfectly balanced.

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