Mixtown USA is an audio production, recording, mixing, and mastering company based in Los Angeles. We have been making records for artists, bands, and labels for the past decade and have worked in many genres including rock, pop, indie, and Americana.

We can take your song from conception through recording, mixing, and mastering, or assist with any individual part of the process. Our Downtown LA studio is equipped to record anything from vocals and overdubs to a full-band playing live. The George Augspurger designed control room looks out to a view of LA’s skyline and houses an array of vintage and modern analog gear feeding a Pro Tools system via Burl and Antelope conversion.

Already have tracks recorded, or can't come to LA? No problem. We've been doing remote mixing and mastering for our clients for years and will talk with you extensively before we start on the project to make sure that we achieve your artistic vision.

Mission Statement:

We have spent the last decade working alongside industry veterans, honing our craft of making modern, timeless records. Whether it be tracking, mixing or mastering, Mixtown USA is equipped to assist artists and labels in every aspect of the recording process. We aim to provide an affordable and honest service, with an unparalleled attention to detail. Our goal is simple — to make exciting, modern and classic recordings every single time.

My credits include

AllMusic verified credits for Evan Bradford:

  • William Tyler
  • Crystal Bright & the Silver Hands
  • K's Choice
  • RBTS Win
  • RBTS Win
  • Lost in the Trees
  • The Avett Brothers
  • Truth & Salvage Co.
  • Dawes
  • Audrey Assad
  • Dierks Bentley
  • Justin Townes Earle
  • The Avett Brothers
  • Blackberry Smoke
  • Aaron Wood
  • Company
  • K's Choice
  • Day of Fire
  • Day of Fire
  • Day of Fire
  • Tyler Ramsey
  • The Avett Brothers
  • Dawn of the Dude
  • Analog Moon
  • Jeff Sipe
  • Mike Seal
  • Jeff Sipe Trio
  • Taylor Lee
  • The Luxury Spirit
  • Honeycutters
  • Honeycutters
  • Honeycutters
  • American Aquarium

Gear highlights

  • Neumann
  • Telefunken
  • Royer
  • Neve
  • API
  • Langevin
  • Manley
  • Chandler
  • Shadow Hills
  • Buzz Audio
  • Maselec
  • Dynaudio
  • Barefoot
  • Burl
  • Pro Tools HD

Genres I specialize in

Terms of Service

Revisions until you're 100% happy with the final product (this is usually no more than 2-3 at most), turn around time based on type of project and complexity.

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Interview with Mixtown USA

What's your 'promise' to your clients?
You will be ecstatic with the end result.
Tell us about your studio setup.
The studio is located in Downtown Los Angeles, the control room looking out to a view of the LA skyline. We have a spacious live room as well as a fully floated and isolated booth and can accommodate anything from a solo artist or singer up to full bands tracking live. The control room was designed by George Augspurger and houses an array of vintage and modern analog gear feeding a Pro Tools system via Burl and Antelope conversion. All monitoring is done through a Maselec MTC-1 mastering transfer console, mixing is a hybrid setup with Pro Tools HD, UAD, Waves, etc that can be summed through a Chandler Mini Rack mixer. For mastering, we use the MTC-1 to feed a Buzz Audio REQ 2.2 and Shadow Hills Mastering Compressor, along with a selection of digital processing if necessary.
Describe the most common type of work you do for your clients.
As a production team, we excel at working with artists from pre-production through recording, mixing, and mastering, and because we have our own full equipped studio facility, we are able to accommodate projects even if they're on a tight budget. There are many scenarios where we are only hired for one or two parts of the process (recording mixing, and/or mastering), and we are always more than happy to take on any projects where we feel that we truly have something special to offer. We also do a ton of remote mixing and mastering for clients located in other parts of the world.