You know that to make a good record, it is a combination of high-end equipment and a competent and capable person who can work with collaborators of any level where the prices are not prohibitive, quality is never sacrificed and customers are treated with respect. Well, you are at the right place an all my services are accessible in HD streaming.
Your advantages :
🏡 Feel the session from your company as if you were there
⌚ Significant time savings and optimized workflow
⇋ Exchange in real time by videoconferencing
☑ up to 10 participants
🔊 Audio streaming up to 192 kbps
⛓ Professional audio chain
🤝 No approximation, only results
🔐 Session and secure transfer
📦 Export and almost instant delivery
💾 90 day storage guarantee
Please keep in mind that the reservation time will be scheduled according to the time zone (GMT+2)
🕓Best time zone for communication and workflow:
✅ 6:30 PM Brussels Time = 9:30 AM Los Angeles Time
✅ 4:00 AM Brussels Time = 7:00 PM Los Angeles Time
✅ 4:00 PM Brussels Time = 9:00 AM Nashville Time
✅ 7:00 PM Brussels Time = 12:00 PM Nashville Time
✅ 4:00 PM Seoul Time = 9:00 AM Brussels Time
✅ 6:00 PM Seoul Time = 11:00 AM Brussels Time
📧Email through 'Contact' button above and I'll get back to within 12 hours.
What I also do: I produce, remix or enhance your song starting from your demo or based from lyrics and turn it into a song "ready to be distributed" in 72 to 96 hours on average respecting your deadline. I automatically include an unlimited number of revisions and all the necessary versions (instrumental,PB, TV, Radio). No shortcut. I offer world class service with very high quality gear.
Send me a note through the contact button above.
Interview with Balir
Q: What's the biggest misconception about what you do?
A: I usually don't master over what I mix. Though, I always keep in mind to get almost 98% of the quality and level of the master:). As a result, customers are satisfied, the mastering engineer is happy. But for certain reasons related to budget or time. If clients also need the song master. I'm going to ask him (or her) to consider 1 week just to cut ties emotionally and adopt a new mindset to master your song later on. Same rules apply if I produce, because I include mix automatically. Mastering is another league in its own right and requires another skill and a complete change of perspective to make your song even better, if it's that what you are looking for of course. To be clear: Audio mastering is the final stage in the music production and it’s also the final step that prepares your music for distribution. I have to ensures that your audio will sound the best on all speaker systems no matter the formats and devices. Going from mix to mastering directly is a no go area for me unless you're in a hurry and there is no choice. So, it's never one after the other ... it's one or the other. I am honest here because I want the best for my client. It's a golden rule 👍
Q: What questions do you ask prospective clients?
A: ▶ Imagine that you are known and therefore you have all the artistic recognition you want, would you be proud of your song that you intend to entrust to me and release after that? ▶ What are you trying to achieve with your songs? ▶ Any references track 😏?
Q: Which artist would you like to work with and why?
A: Selena gomez, Julia Michael, Jenevieve, Yuna,Victoria Monèt,.. because they seems to be cool human and certainly fun to work with
Q: What other musicians or music production professionals inspire you?
A: Producers Ian Kirpatrick, Savan kotecha, Jkash, JYP and Robotlemon are my best one...and the list goes on.
Q: Describe the most common type of work you do for your clients.
A: I listen needs and problems artists, producers or engineers faces and I try to help them the best I can.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Most of the projects I'm proud of are songs I can't reveal (NDA and all that ...). My role was involved as a composer of a major song and many arrangements over many others. I did this for the purpose of networking and being my best training partner. Enough homework. I feel ready to fully embrace this industry and just be taken seriously and be a good guy who you can count on. If doubt subsist, just consult my work here or on my Soundcloud link. Proof is in the pudding 🍮
Q: What are you working on at the moment?
A: I work on new collaborations with interesting new artists who deserve time and needs. I find them on Youtube then I DM on IG. Non-stop 💪. Other than that, I'm pretty busy producing records when I'm not on the bench.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: No, but I'll come back here pretty soon to fill that empty answer.
Q: Analog or digital and why?
A: Both. Why? because there is good and bad stuff in both worlds.
Q: What's your 'promise' to your clients?
A: ▶ Exceed their expectation. ▶ A good sounding records. ▶ Be good !
Q: What do you like most about your job?
A: My Freedom !
Q: What advice do you have for a customer looking to hire a provider like you?
A: Be clear and have a vision of what your project should sound like. Get to know us better to implement what's best for you.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Neve 1081 Neuman Km 184 Lynx hilo Sennheiser Hd800 My laptop with my soundbank collection
Q: What was your career path? How long have you been doing this?
A: Have been a ramen master for over 15 years. With lots of reflection, I still always appreciate the journey though and I feel blessed to be in this industry so far. Now, here I'm am :)
Q: How would you describe your style?
A: TBH, I don't know. I feel better when I'm mirroring the artist idea and wishes
Q: Can you share one music production tip?
A: Be nice! Work for the artist's interest! Have a good coffee! ☕
Q: What type of music do you usually work on?
A: Pop , Bed-Pop and so called "Urban" music 🧐
Q: What's your strongest skill?
A: I LISTEN my clients 1st. :)
Q: What do you bring to a song?
A: Clarity, perspective, balance and groove between the beat
Q: What's your typical work process?
A: I listen carefully to what my client wants to achieve. Then I listen to the rough 100 times and work until it sounds like I mapped it in my head. As soon as I start to observe that the smallest movement of the fader becomes too important. The mix is finished! It's about the same process with mastering without the 1960 tracks of a mix and 0.5 to 1 DB incremented.
Q: Tell us about your studio setup.
A: Whether for a mix or a master, I work in a hybrid way. I go in and out when it's necessary and it brings something to the song. All my equipment enters a pelicase by plane. I sometimes work for different labels to work on site and that is what I like most.