I have worked as a professional Audio Engineer since 1998.
My task as audio MASTERING engineer is to finalize your music vision. I review your music with constructive criticism and fresh ears, always considering the emotional response as a listener.
I also provide MIXING services on request.
Just send me your exported tracks from the mix session and I’ll review it and get back with proposal.
Welcome with your request!
Send me an email through 'Contact' button above and I'll get back to you asap.
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25 Reviews - 5 Repeat ClientsEndorse DEXY
Dexy has done an excellent job with the mastering of our new single ”Salvation”
For us Dexy is always our No1 choice
I really recommend you to try him out, i promise that you won’t be disapointed!
Very happy to have DEXY working with us is an honor! if you are scrolling down for a top-notch producer you may be looking too hard ... Trust me! been here for years working in Sondbeter DEXY is the right guy!
Excellent work always! very happy!
I been anxious to work with DEXY - I know of his Quality and also his unique studio. upon hearing DEXY Demos in Instagram I know I will get a kickass sound ! exciting for the next album, I think it will be our best work.
Works very fast and with a good result, we changed our minds on one of the songs a did some changes in the mix after the job was already done but Dexy was willing master that song again for just a little extra fee.
Professional mastering completed earlier than expected and gave me two versions to choose from
An extraordinary pleasant experience!
Really thorough and easy to communicate with, and the result is outstanding:)
dexy does phenomenal work!! wow! the best mixing and mastering engineer hands down
Helpful and kind and outstanding result! I highly recommend Dexy especially for the great service I received :)
Very professional, top quality, and service.
An other superb job by Dexy!
I just got the "Master" back and it sound so God damn professional.
For all of you who wants your hard work to shine, Look no futher, Dexy is the man!
Dexy is awesome, incredibly fast, friendly and efficient. I highly recommend him!
Dexy is really friendly and easy to work with. He really knows his stuff and did an awesome job mastering my track.
Very happy with my request, record drums myself my snare drum sound huge 😀
Dexy just finished the master on my new song and it sounds killer!
This dude know what he’s doing.
Your songs deserve the best treatment and Dexy really makes ’em shine 💫⭐️
Amazing work like always! Helping me get my drums to sound huge and better and less noisy
I'm really happy with the results and will be looking forward to master more mixes, you've just won another client and the timeframes were flawless, definitely a 5 stars.
I love his service, every time I bring him my songs, he does his best to make the master sound perfect
Another great Master by the Master Dexy!
Dexy has done such a great job on my 2 singles and I highly recommend him for your Mastering!
Dexy is my No 1 choice when it comes to mastering.
I met Dexy back in 2016 when he mastered a couple of my songs and i was blown away!
This Dude is amazing!
Since that day i always contact him when i need an Mastering Engineer.
I think he has mastered close to 30 songs to this point and i know it’s gonna be a lot more in the future!
He is easy to work with, he knows exactly what he's doing and mixes exactly the way you want him to without you even having to explain it to him. I reccomend him a lot
Dexy is a Professional sound engineer with good ears for quality sound.
I have worked with Dexy on several occasions. Always nice to work with and great results.
I have work with music 25 years and I can strong recomend DEXY remaster service, cuality and much sens of responsabiöity.
So thank you very much for a very nice and proffetiomal work.
Interview with DEXY
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I had the honor to do Mastering work on "Rockett Love" (AOR rock band) and their first single Mixed by none less than Beau Hill (Europe, Ratt, Winger, Alice Cooper). It was a real pleasure to do a mastering after such a good mixing engineer!
Q: What are you working on at the moment?
A: None mentioned, none forgotten...
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Bob Katz, when you can afford it.
Q: Analog or digital and why?
A: HYBRID, then both techniques has advantages and should be combined. I prefer analogue and thereafter rounded off digitally.
Q: What's your 'promise' to your clients?
A: Your mix will always sound better or excellent after finishing the mastering!
Q: What do you like most about your job?
A: The most exciting is the variety and challenges to live up to client expectations.
Q: What questions do customers most commonly ask you? What's your answer?
A: How many revisions can I get? A reasonable number unless the mix does not need to be revised.
Q: What's the biggest misconception about what you do?
A: How much headroom should I leave before mastering? ... then some of the entire track normalizes down to -3 to -6 dB peak level. It's more complicated than that. Previous unit for the program LOUDNESS was RMS, the new name is LUFS. Easily explained; a mastering engineers need to know how much DYNAMIC space is left in the mix! Waht should I do? Control the entire audio file graphically, searches for individual peaks that interfere with the mix to normalize, leveling the mix to its maximum preserving original dynamics, measures LOUDNES (needs to be between -18 to -24 LUFS or dB RMS).
Q: What questions do you ask prospective clients?
A: Any specific requirements or expectations and when to be completed? Do you have a reference track to attach in order to match the sound?
Q: What advice do you have for a customer looking to hire a provider like you?
A: I am here for you, try to communicate honestly and openly, be realistic, let me help you.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Laptop, solarcharger, mobileinternet, headphones, gaslighter.
Q: What was your career path? How long have you been doing this?
A: Electronics and music I have been engaged since 1986 by building own amplifiers, EQ's, Echo-machines with more. 1996 I started with mixing and mastering, enjoining until today.
Q: How would you describe your style?
A: Enter The Dragon:-)
Q: Which artist would you like to work with and why?
A: I would like to work with Joe Lynn Turner, the old man beats the shit until today.
Q: Can you share one music production tip?
A: Music production is a chain of processes: playing instruments, recording, sound design, editing, mixing and final mastering. All these separate steps must be done with love and sacrifice then affect the final product. Can not you make a pizza with bad ingredients, or?
Q: What type of music do you usually work on?
A: I prefer all music with emphasis on musical virtuosity and song dynamics. Actually, all music then I also get my part of personal development.
Q: What's your strongest skill?
A: Trained ears, many years of experience and passion for the music.
Q: What do you bring to a song?
A: I contribute with value-adding to my client's music and bringing out the beauty in it by: *CRITICAL LISTENING *REMOVING THE MUDD *DIAGNOSIS *PROCESSING *FINISHING A SONG
Q: What's your typical work process?
A: The most important thing is communication and understanding what the client is looking for! I am trying to be a good listener and helper in the whole process. After receiving the audio file and the list of requirements, I listen 2-3 times to the material. Then I look at the graphic image of the audio file with focus on; Distortion, clipping, limitation, compression, dynamic range, sound to noise ratio, with more ... The next step is any complement from the client or go for mastering ...
Q: Tell us about your studio setup.
A: I have deliberately chosen not to make the studio to an spacecraft, but strive for a balance between equipment, studio space and the final consumer environment. My current setup, in addition to Digital Audio Workstation with retro programs and plugs, consist of very carefully selected outboard components balancing between sound quality, flexibility, operation and price level. I was looking for a mix of vintage analog tube/FET sound and high-end digital finish, in other words my own hybrid sound. Each device has special purpose and is connected in series with the possibility of intral parallel compression. I've ruled out switches, patchbays and mix summers with the simple reason for signal degradation, noise and capacitive losses in the cables.
Q: What other musicians or music production professionals inspire you?
A: Current musicians and bands; No mention, no one forgotten! On the other hand, there were two guiding stars that were crucial to my choice of profession, namely Bob Katz under the T.C. Electronic wings and CUTTING-ROOM with its commercial disc that came out in the mid 90's. This was a turning point ... My current influences include Mandy Parnell and Sylvia Massy, more of Girl Power in music industry.
Q: Describe the most common type of work you do for your clients.
A: It is preferable to allow a third party to listen and judge the recording and mixing results. I believe in the original beauty of produced music, as well as striving to maintain its original shine without destroying the basic elements. It's like comparing to make-up, the more you spit on the face, the more distorted the natural beauty, with the exception of recordings that have gone wrong and need to be restored.