Mixing & Mastering Engineers, Producers & Songwriters who worked with The Jane Austen Argument

MASTERING  - Dynamic Sound Service
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Dynamic Sound Service is a custom built mastering studio owned and operated by myself, Blake Bickel. I work closely with my clients to get the most out of their mix and create a master that clearly translates our work in the best light possible, making it ready for duplication and distribution.

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"Music Producer"&/Beat Maker\ - ProBeatsCompany

I've Started Professional Producing At 2012 With Hip Hop Genre . I've Learned All Themes of Music Like "Arabic" "Middle Earth" "Old School" "New School" "Scottish" "Chines" & Etc. All Of the Genres that i produce Are The Bests That i Could Produce With The Amazing Quality . ** No One Cant Doubt on that We Give The Best Service in our Genres **

Recording Studio, Beat Makers - Loud Noises Dynasty

Every song starts with a recording. Ask any mixing or mastering engineer. Quality tracking not only makes their job easier, it makes the final product better! Why use cheap closet booths or $50 condenser microphones? Constant clicks and pops? Unclear vocals? What we do is offer the very best tracking quality possible!

Vocalist | Songwriter  - Carvin Winans
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5X Grammy® Award Winning Singer/Songwriter

Music Producer,Mixing & Master - Erik Ikerya
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- music composer / mix engineer / pianist - specialized in EDM and trance - ghostproduction, mastering and mixing

Music Producer , Songwriter  - Garufi Music Group

Im a Producer , Songwriter from Sydney Australia who makes beats , writes songs in R&B , Hip Hop & Pop

Music Prodcer - CarriagesOnline

CarriagesOnline.com sources some mind-boggling blogs on the most diverse topics such as business, lifestyle, digital marketing, technology and several others.

Pop, Rock Producing and Mixing - Karla Sro

Metal, pop and rock specialized. I like to incorporate urban sounds in heavy music to create a unique smooth sound.

Audio post: video production - David Gallinger
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I am an audio post-production mixer in the film industry, and I work mainly on micro-budget films where we do not have the luxury of dubbing dialogue; I have to make it work with what we got in the field.

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