Mixing & Mastering Engineers, Producers & Songwriters who worked with Sweat Tea

Producer/Mixing/Mastering/FOH  - Brett Orrison
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Owner of The Austin Recording Service Producer, Mix and Mastering engineer, FOH engineer specializing in Indie Rock/Psychedelic/Shoegaze/Southern Rock/Alt Country with a strong connection to the Blues and New Orleans Music. Best known for work with The Black Angels,Widespread Panic, Reverberation Appreciation Society,Fuzz Club Records.

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Audio Engineer - Mark Curran
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I'm a freelance audio engineer, currently studying in Singapore. Looking to make some extra dough.

Recording Mixing Mastering - Josias "Jota" Picone

30 years of experience mixing, mastering and recording music.

Remote Mixing and Mastering - Guillermo Tomac

(2009-2015) Sound Engineering Degree at UNTREF University in Argentina. Great understanding of Recording, Mixing, Mastering, Digital Audio, Electronics, Acoustics and Signal Processing. (2014-2015) Recording, Mixing and Mastering Engineer at a U.C. Dadson Studios (Argentina). (2016-2018) Freelance remote Mixing and Mastering Engineer in the UK.

Produce. Mix. Engineer. Atmos. - Joel Weldon Willis
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I love the beauty in the imperfections, like the Island of Misfit Toys, weird is where it's at.

Songwriter / Ghostwriter  - Dee-H

My writing style comes from a Pop / R&B inspired angle. I have a song on iTunes by Armchair Generals called "Missing Your Love". I have a very creative mind, plus I am fun and easy to work with. Let's Go! I create catchy hooks for R&B, Pop & Hip Hop tracks! If you want something new and fresh I am your songwriter. Let's connect and make a hit!

Beatmaker/Music Producer - 400MGB

Never give up, remember why you started

EDM & Tropical House Producer - Katarfall
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Just some guy who likes to feel the music in his heart

Metal Mixing - Ben
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Hello! My name is Ben and I’m a mixing engineer, producer, bassist, and guitarist based in the San Francisco Bay Area, specializing in extreme metal production. I’ve spent years working across black, death, and thrash metal subgenres, and I’m always open to bringing heavy, aggressive production values to any style of music.

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