Mixing & Mastering Engineers, Producers & Songwriters who worked with Subsource

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Recording and Mixing Studio  - Audile Design
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Audile Design is a recording studio, acoustics workshop and consultancy based in Marrickville, NSW, Australia. The control room and live room/playing floor were designed and constructed by Peter Beringer (Director, Lead Engineer) and features bespoke acoustic treatment elements and furniture. The studio rig itself combines old and new technologies.

Vocalist / Mixer / Producer - Somer / killbunny
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Unique female vocals for your track Artist-friendly mixing Music production with a focus on sync

Session Keyboardist, Producer - Gabe Rudner
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15 Year veteran Session Keyboardist, Music Producer and Music Director with extensive experience in many genres of music and live productions. I've toured or recorded with artists including Jessie J, Hailee Steinfeld, Grace Vanderwaal and many others. Master synth programmer and sound designer. Friend. Collaborator. Creative.

Producer, Songwriter - Alicenap
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I am a producer, songwriter and mixing/mastering engineer with wide range of genre production experience from pop to rock, lo-fi to hip hop, edm to rnb/soul.

Singing and I love  covers - Ines Baclo

I love to sing, music is my life. I´m young and ready to start in this industry

cash for car - cash for scrap cars ipswich

We aim to render a service a step above the rest and the highest cash for scrap cars ipswich deals. We have proudly served all 200+ suburbs of Brisbane. This has led us to earn the reputation of being Brisbane's most reliable car buyer. https://www.cashforcarbrisbane.com.au/cash-for-scrap-cars/

altpop producer, topliner - Elana Carroll aka Party Nails
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Production credits include "Supernatural" by Deap Vally, featured artist toplines include "Solo" by Getter, "monotony" by LŪN, songwriting credits include "Rockin On The Rag" for Apple TV's Central Park. I've written, engineered and produced two full-length albums of my own and toured the US multiple times playing them for live audiences.

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