Mixing & Mastering Engineers, Producers & Songwriters who worked with Stella Standingbear

I have mixed for Paul Wall, I have mixed Loe Shimmy, and I've worked at the Daily Gems Studio, as well as Heard City. I learned how to engineer at Carnegie Hall. I have worked with Dot Demo, Kaycyy, Mr. Muthaf*cking Excuire, 408Darwin, Lord Sko, and Andre Lawrence.

Worked under Grammy winning producer/mixer Matt Wallace (Maroon 5, Faith No More, OAR). Over the past two years I've produced/mixed songs gathering millions of streams across platforms. Some of my work includes production/mixing for Atlantic Records' maryjo (Don't Call Me, Traffic, Love Fools), Programming for Hailey Whitters (College Town)

Session Vocalist and Top Lines Include - Groove Armada (BMG), Lapalux (Brainfeeder), Dels (Big Dada). Solo album released under Ninja Tune. One half of the duo 'Peter and Kerry'. Multi-instrumentalist and Producer/Remixer.

Mixing, Editing and Tuning to help your project reach the next level.

you've worked with the rest now work with the Best! Rio Ray Hired Gun of the industry

Mazidul Islam Milon is a Bangladeshi Musical Artist,EDM Producer,Entrepreneur,Techno lover and a youtuber.He is mostly known as a Musician personality. He was born on 15 August 2003 in Bhaluka,Mymensingh,Bangladesh. Mazidul Islam Milon started his career at the age of 14 in Mymensingh,Bangladesh as a music producer online.Later he started releasin

I produce, mix, and polish your sound into a record-ready release. From raw demos to finished masters, I’ll help bring your musical vision to life with emotion, energy, and clarity that cuts through. I’ve worked across a variety of genres including pop, indie and hip-hop, and I treat every project like it’s my own.

Recording and Mixing Engineer | Music Producer London-based producer behind the first two Bastarde records. I create and help shape heavy songs, from speed metal to hard rock. I offer full production, mixing, and instrument tracking. No fluff - just honest collaboration and killer tracks.

My approach to mixing isn't just about levels and frequencies; it’s about translating the emotion of a song into a technical reality. With a background that bridges the gap between meticulous analysis and musical freedom, I approach every project with a solid structure and an ear for textures.