Mixing & Mastering Engineers, Producers & Songwriters who worked with Spin Out

Remote Mixing & Mastering - Luca Bignardi

When I started my work as sound engineer in 1979 I was a guitar player and singer in a Rock band. That helped my sound engineer and producer career to grow very quickly. I still love music and consider any record I do as the most important in my life

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Mix/Master/Creative Enthusiasm - Wavefield Studios/Brian Casey
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I'm a music addict and have been playing, engineering and writing for over 10 years. I mostly work with Indie/underground artists and tracks I mix are regularly played on national, local and specialist radio formats. I work from my own studio in Ireland producing artists of all genres as well as mixing/mastering for clients remotely. Its fun!

Recording Studio - Everland Studios
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Creative recording and mixing in Sydney

Bass player for artists - Aubrey Harris
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Session bassist with a deep pocket, melodic grooves, and attention to detail. Touring bassist with Faouzia and Chappell Roan. Other performances with Dove Cameron, Fletcher, Keith Urban, Jacob Collier, Tia Fuller (Beyoncé), Morris Hayes (Prince), Al Kooper (Bob Dylan), Stokley Williams (Mint Condition), and on America's Got Talent.

Beat maker and music producer - IKER BEATS
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Clothing - Callino London

https://callinolondon.com

Artist, Songwriter, Producer - Michael Scarabino
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10+ years of experience in songwriting, full instrumental production, recording, and performing guitar, piano, and vocals.

Producer/Mixer/Masterer - Spacey Gray

A producer and engineer of 10 years with a deep obsession for all genres of music, be it techno, house, ambient, electronica, rock, metal, hip hop and anything and everything in between. I have heard it all. My diverse love for music has allowed me to gain great emotional connection to all genres, which I can then apply my technical skills to.

Write.produce.mix.beWeird. - TheGloveCleaner
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Listen here pal………..if you’re cool and want to make some music, then I’m down. I enjoy the many layers of creating music, much like I enjoy the many layers of the noble onion fruit. But of course the metaphor between onions and music production ends there. I mean I could probably do it but it would definitely take more space than I have left in thi

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